The man who sets up the bomb is long gone before it goes off.
Author Archive | chimurenga
In this mix, we decompose, an-arrange and reproduce the sound-world of FESTAC ’77 to address the planetary scale of event, alongside the personal and artistic encounters it made possible.
Skin bleaching is often described as a manifestation of ‘colo-mentality’. However, argues Bibi Bakare-Yusuf, mimesis here is both an affirmation and a contestation of power.
Exile demands contemplation because it is unavoidably real for those who experience […]
A Manifesto/ Meditation on State of Black Archives in America and throughout the Diaspora by Harmony Holiday
In a twist to mainstream tropes of radical student movements of the 1960s, and their impact on the history of political thought and action, Pedro Monaville argues that the terrains of the Third World, and particularly the history of student movements in Congo, are vital to explore if we are to makes sense of how that period informs the present.
Dominique Malaquais reports from Cameroon on the active objection of one ‘Combattant’ to the negation of many, cast in stone. Decrying these monumental symbols to the least salubrious of colonial exploits, his rebellion is most fitting in a country that stands on ceremony other than its own.
Kwanele Sosibo speaks with Ntone Edjabe about the creation of, and thinking behind, the FESTAC ’77 publication.
Early in 1977, thousands of artists, writers, musicians, activists and scholars from Africa and the black diaspora assembled in Lagos for FESTAC ’77, the 2nd World Black and African Festival of Arts and Culture.
Calling all printmakers and paper-peoples! In collaboration with our comrades at Keleketla! […]
Kinshasa Chronicles is a richly textured encounter featuring seventy artists, most of whom belong to a very young generation, telling tales of one of the world’s most vibrant creative hubs.
“Nothing is true, everything is alive.” Starting from this paradox, Moses März, imagines a conversation between Glissant and his friend and fellow writer Patrick Chamoiseau about the Philosophy of Relation.
A few years ago, while researching the political history of Congo/Zaire/Congo via the country’s music archive, particularly through the output of Luambo Makiadi aka Franco, we turned to the legendary record collection of “Jumbo” Donald Vanrenen.
This installment of Stories about Music in Africa features Shabaka Hutchings and The Brother Moves On, recorded at the Chimurenga headquarters in Cape Town.
Okello Sam examines the conceptual difference between work and relaxation as differently applied in the so-called First and Third Worlds.
“Sound is defined by vibrations that travel through the air or another medium and can be heard when they reach the ear.
Whatever Zimbabwe is, and is becoming, already exists in the sound-worlds produced in the region.
Against the proliferation of capitalist logistics, governance by credit and the management […]
Jamaican-born poet, musician and visual artist Femi Dawkins a.k.a. Jimmy Rage, explores pain […]