Exile demands contemplation because it is unavoidably real for those who experience […]
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A Manifesto/ Meditation on State of Black Archives in America and throughout the Diaspora by Harmony Holiday
In a twist to mainstream tropes of radical student movements of the 1960s, and their impact on the history of political thought and action, Pedro Monaville argues that the terrains of the Third World, and particularly the history of student movements in Congo, are vital to explore if we are to makes sense of how that period informs the present.
Dominique Malaquais reports from Cameroon on the active objection of one ‘Combattant’ to the negation of many, cast in stone. Decrying these monumental symbols to the least salubrious of colonial exploits, his rebellion is most fitting in a country that stands on ceremony other than its own.
Kwanele Sosibo speaks with Ntone Edjabe about the creation of, and thinking behind, the FESTAC ’77 publication.
In pirating the head of Queen Idia to use it as a logo for Festac 77 , proposes another dissonant route that challenges the very idea of the work of art as unique object.
Early in 1977, thousands of artists, writers, musicians, activists and scholars from Africa and the black diaspora assembled in Lagos for FESTAC ’77, the 2nd World Black and African Festival of Arts and Culture.
Calling all printmakers and paper-peoples! In collaboration with our comrades at Keleketla! […]
After New York in October 2019, and in the spirit of the trans-continentalism (aka Black World) of the event, we return to Dakar to celebrate the release of Chimurenga’s new publication on FESTAC ’77 – in collaboration with RAW Material Company.
Kinshasa Chronicles is a richly textured encounter featuring seventy artists, most of whom belong to a very young generation, telling tales of one of the world’s most vibrant creative hubs.
My quest for an explanation for this omission in my history education made me appreciate the magnitude of the crime… for the struggle against power is the struggle of memory against forgetting. – Santu Mofokeng
Kids are becoming priests, because if you are touched or you can see or whatever, these kind of churches, charismatic, big churches, people turn towards looking at ancestors, they turn to the Bible, they turn to look at whatever, because politics: basically were beaten.
“There’s no real vocabulary for the non-photographed of apartheid‟ – Santu Mofokeng
In 1968, Nigeria’s finance minister, agricultural produce mogul Obafemi Awolowo declared: “Starvation is a legitimate weapon of war, and we have every intention to use it against the rebels.”
Louis Chude-Sokei narrates a story of Nigeria, of splintered identity, of exile, and of the Biafran War and its godfather – his godfather – the military strategist, strongman and celebrated hero, General Emeka Odumegwu Ojukwu
If one thinks about it the whole thing goes back to amaQheya; the cultural proletariat… a proletariat with a cultural history that has taught it to be careful of an African existence…
We tune into radio trottoir, radio one battery, radio 33, boca boca to get the word on the street from Angola.
Perhaps outside of Fela’s Egypt 80, very few music bands have managed to influence their countries in the manner and to the extent that Sankomota did.
Binyavanga Wainaina was a friend, a Chimurenga founding father, an award winning writer, author, journalist, chef, lover, a literary revolutionary and an inspiration. We pay tribute.
What could have happened in his head to take literally this type of injunction quite common in lands of Africa? A sense of the word given? The desire to take seriously the hopes of children who usually have little voice? Mystery.