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Searching for Rotimi- A Letter From London

Rotimi Fani-Kayode died 29 years ago (21 December 1989), in exile, after moving to England at the age of 12 to escape the Nigerian Civil War.  Today, the combination of raw emotion and transgressive physicality in his photographic portraits and compositions, and his exposes the tensions created by sexuality, race and culture, is as relevant […]

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Avions De Nuit

By Pumle April In the Cameroonian imaginary “Avions de nuit” (night planes) are tiny vessels fuelled by the blood of their cargo, that make nightly flights across the Atlantic (or to neighbouring oil economies like Chad, Gabon or Equatorial Guinea – nuff people in Nigeria) carrying passages into slavery. According to news reports they could […]

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Through the fictional character Qalqalah, Sarah Rifky, grapples with the question what is an institution? Speaking to art institutions and their futures she asks: what is the future of art? And more importantly, what is the future of language? In keeping with time, before I tell you a story and talk about the future,  let us travel back to a […]

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In Catherine Anyango’s adaptation of Boubacar Boris Diop’s Kaveena, the boundary between nightmare and reality unravels when Colonel Asante Kroma stumbles upon the corpse of the head of state in a bunker. The discovery sends the police chief on a quest to untangle the dark secrets of a political system in which he was once a well-oiled […]

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Afro Horn

Forged from a rare metal found only in Africa and South America, the Afro-horn is an instrument to open the mouths of the gods. It was invented by ancient Egyptians, who called it the Tun-tet. According to Brent Hayes Edwards’ imaginative essay on the mythical instrument, there are only three Afro-horns in the world: one […]

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Yakhal’ Inkomo

An explosive bellow from the spiritual heart of the black experience, saxophonist and composer Winston Mankunku’s Ngozi’s Yakhal’ Inkomo is at once a call to action, an open letter and a prayer. Recorded in 1968, as a cry mourning the Sharpeville massacre, and reinvoked in Mongane Wally Serote’s 1972 collection of poems, it tasks us with imagining dispossessed feelings in common as the basis of […]

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