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Chimurenga 15 – The Curriculum Is Everything (June 2010)

What could the curriculum be – if it was designed by the people who dropped out of school so that they could breathe? The latest issue of Chimurenga provides alternatives to prevailing educational pedagogy. Through fiction, essays, interviews, poetry, photography and art, contributors examine and redefine rigid notions of essential knowledge.

Presented in the form of a textbook, Chimurenga 15 simultaneously mimics the structure while gutting it. All entries are regrouped under subjects such as body parts, language, grace, worship and news (from the other side), numbers, parents, police and many more. Through a classification system that is both linear and thematic, the textbook offers multiple entry points into a curriculum that focuses on the un-teachable and values un-learning as much as it’s opposite.

Inside: Amiri Baraka waxes poetic on the theoretics of Be-Bop; Coco Fusco flips the CIA’s teaching manual for female torturers; Karen Press and Steve Coleman instruct in folk-dancing; Dambudzo Marechera proposes a “guide to the earth”; Dominique Malaquais designs the museum we won’t build; through self-portraits Phillip Tabane and Johnny Dyani offer method to the Skanga (black music family); and Winston Mankunku refuses to teach.

Other contributors include Binyavanga Wainaina, Akin Adesokan, Isoje Chou, Sean O’Toole, Pradid Krishen, E.C. Osundu, Salim Washington, Sefi Atta, Ed Pavlic, Neo Muyanga, Henri-Michel Yere, Medu Arts Ensemble, Aryan Kaganof, Khulile Nxumalo and Walter Mosley amongst others. Cover by Johnny “Mbizo” Dyani.


Sankomota - An Ode in One Album by Phehello J. Mofokeng (Geko Publishing, 2019)

SKU 00011
$12.00
In stock: 3 available
1
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Weight: 0.10 kg

“Sankomota: An Ode in One Album – A Reflective Essay” is the result of many years of research and obsession about the music and band of Sankomota. The book is a slim offering that offers insights into the first album ever recorded in Lesotho, ‘Sankomota’ by the band Sankomota. Recorded in 1983, this album became an instant classic.


Through his interwoven narrative that goes from pseudo-scholarship to delineation of Sankomota’s intense use of language, Mofokeng’s essay touches on mythology, performance, language and politics of this important band that was at the frontier of anti-apartheid and freedom music. Mofokeng attempts to paint a broad image of the musical landscape of the time and unveil the musical obsessions of Sankomota. By the author’s admission, “this book is not definitive, but it is a worthwhile addition to the body of literature and to an ethno-musical understanding of SA’s musical history.”


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Sankomota - An Ode in One Album by Phehello J. Mofokeng (Geko Publishing, 2019)
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