LISTEN: SONGS FOR WINNIE BY A SEMBLANCE

LIVE ON PASS Thursday, 14 May 2026 from 7pm

CHIMURENGA@20: MURIMI MUNHU

Panashe Chigumadzi travels to the rural Zimbabwe of her ancestors,

CHIMURENGA@20: GENRES OF HUMAN

In his book, The Sound of Culture: Diaspora and Black

CHIMURENGA@20: ONCE THERE WERE HUMANS

In the hills above Kingston, Jamaica Annie Paul interviews Peter

WHO KILLED KABILA

IN MEMORIAM: OMOSEYE BOLAJI (1964-2022)

We remember Nigerian-born writer, Omoseye Bolaji (1964-2022), and his immense

Ready, Willing & Able

Lolade Adewuyi profiles one of the continent’s most successful football

ALL I CAN SAY FOR NOW

By Jean-Christophe Lanquetin (translated by Dominique Malaquais)

READING FRED HO

Gwen Ansell and Salim Washington celebrate the revolutionary life, language

Translating Tram 83

It was the only place on earth you could hang

LISTEN: SONGS FOR WINNIE BY A SEMBLANCE

LIVE ON PASS Thursday, 14 May 2026 from 7pm

POETS WITH GUNS: A CONVERSATION WITH CHIRIKURE CHIRIKURE

Achebe The Native Intellectual

It’s only a matter of acceleration now

Join Binyavanga Wainaina as he contemplates swimming, cosmology ...and interviews

WRITING AS AN ACT OF GENEROSITY

Mamadou Diallo reviews the state of language in Africa through

WHAT AFRICAN WRITERS CAN LEARN FROM CHEIKH ANTA DIOP

In a testament to Cheikh Anta Diop, Boubacar Boris Diop

The Pharaoh’s New Clothes

Its location, vocation, and publication intended to speak to a

How Could You Believe A Story Like That?

Stacy Hardy reviews Roberto Bolaño's 'Nazi Literature in the Americas'

WHY MUST A CHINESE WRITER WRITE ABOUT SEX

Robert Berold reviews Zhu Wen's 'I Love Dollars and Other