LISTEN: SONGS FOR WINNIE BY A SEMBLANCE

LIVE ON PASS Thursday, 14 May 2026 from 7pm

WHO WILL SAVE THE SAVIOURS?

A close gaze at the collective apathy that killed Dr.

From Seven Modes for Hood Science

The black spirit is universally sick with dissimulation and at

THIRD TRANSITION

Shoks Mzolo and Bongani Kona trace the path of South

War and Spirits

You Have No Power Here

Karen Press reviews three first collections from publishing house uHlanga

Between the Lines of an Unpatriotic Presidential Pre-Recorded Address

FOURTH REPUBLIC 19 conducts a post-mortem on not-so-presidential minutes in

The Enemy in Her Imagination: A Fable

Rahel first met the young, 11-year old boy, on December

THE SUMMER OF ’69

Writer Pierre Crépon selects recordings illustrating his essay on the

Remember Glissant

Moses März writes of Édouard Glissant, Martinican, poet and compatriot

LISTEN: SONGS FOR WINNIE BY A SEMBLANCE

LIVE ON PASS Thursday, 14 May 2026 from 7pm

POETS WITH GUNS: A CONVERSATION WITH CHIRIKURE CHIRIKURE

Achebe The Native Intellectual

It’s only a matter of acceleration now

Join Binyavanga Wainaina as he contemplates swimming, cosmology ...and interviews

WRITING AS AN ACT OF GENEROSITY

Mamadou Diallo reviews the state of language in Africa through

WHAT AFRICAN WRITERS CAN LEARN FROM CHEIKH ANTA DIOP

In a testament to Cheikh Anta Diop, Boubacar Boris Diop

The Pharaoh’s New Clothes

Its location, vocation, and publication intended to speak to a

How Could You Believe A Story Like That?

Stacy Hardy reviews Roberto Bolaño's 'Nazi Literature in the Americas'

WHY MUST A CHINESE WRITER WRITE ABOUT SEX

Robert Berold reviews Zhu Wen's 'I Love Dollars and Other