Woza Moya

Maakomele R. Manaka revisits a soundtrack of his dreams, long

Cover Story

He's been described as the "founding father of African literature",

Sammy Baloji exhibition – ‘Mémoire’

'Mémoire' shows the heritage of colonial times and at the

Costa Diagne et Les Hommes de la danse

par Gabrielle Chomentowski

CONFESSIONS OF A CLOSET SOYINKA PLAGIARIST

A letter from Ibadan by Harry Garuba

CHIMURENGA@20: IN PRAISE OF INDIGENOUS AFRICAN WORDFORM

Have African literary forms been lost in a morass of

I’M NOT WHO YOU THINK I’M NOT

Serubiri Moses reflects on Binyavanga Wainaina’s refusal to fit neatly

I am a homosexual, Mum

A lost chapter from One Day I Will Write About

CHIMURENGA@20: Midway Between Silence and Speech

The art and incarnation of Justine Gaga.

LISTEN: SONGS FOR WINNIE BY A SEMBLANCE

LIVE ON PASS Thursday, 14 May 2026 from 7pm

POETS WITH GUNS: A CONVERSATION WITH CHIRIKURE CHIRIKURE

Achebe The Native Intellectual

It’s only a matter of acceleration now

Join Binyavanga Wainaina as he contemplates swimming, cosmology ...and interviews

WRITING AS AN ACT OF GENEROSITY

Mamadou Diallo reviews the state of language in Africa through

WHAT AFRICAN WRITERS CAN LEARN FROM CHEIKH ANTA DIOP

In a testament to Cheikh Anta Diop, Boubacar Boris Diop

The Pharaoh’s New Clothes

Its location, vocation, and publication intended to speak to a

How Could You Believe A Story Like That?

Stacy Hardy reviews Roberto Bolaño's 'Nazi Literature in the Americas'

WHY MUST A CHINESE WRITER WRITE ABOUT SEX

Robert Berold reviews Zhu Wen's 'I Love Dollars and Other