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Neo Muyanga – The Sex For Money No Power Mixtape

PASS founder, a composer and musician Neo Muyanga highlights the currents and transactions between the physical and the metaphysical, the lustful and the learned, the sensual and confessional and all matters philosophical, sociological and political in this powerplay.   “Obia Ba Nnye/Naughty Child” – Desmond Ababio “Mentirosa” – Concha Buika “Le Buste” – Jean Cocteau/Dj […]

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Genres of the Human

  In his new book, The Sound of Culture: Diaspora and Black Technopoetics, Louis Chude-Sokei samples freely from history, music, literature and science, conjuring new meanings from dead texts, to build an echo chamber where the discourses of race and technology collide. At a time when automation threatens jobs and pits humans against machine and […]

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Steal Back the Treasure

Calls for restitution African artifacts from Western museums are mounting. Against this backdrop, Nigeria’s response to the British (Second World Black and African Festival of Arts and Culture) in pirating the head of Queen Idia to use it as a logo for Festac 77 , proposes another dissonant route that challenges the very idea of the […]

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Festac ’77

by Akin Adesokan Imagine, first, a priestess of Esu (Elegbara), the West African god of the crossroads and inspiration for the less tangible practice of hermeneutics. The woman, in her late sixties when the story begins, in August 1976, in a small village three hours by car north of Lagos, is also the mother of […]

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Frantz Fanon’s Uneven Ribs

Taban Lo Liyong is the author of several books of poetry including Frantz Fanon’s Uneven Ribs and Another Nigger Dead. He has also published some collections of essays, the most recent being Images of Women in Folktales and Short Stories of Africa.  He spoke to Sam Raditlhalo (circa 1997, when he was still a professor of […]

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N’Dombolo: the postulation of the post-Zaïko generation

Manda Tchebwa N’dombolo? First and foremost, an artistic secretion (the magical respiration of an entire generation of young Congolese), the Wenge generation’s most emblematic creation, a form of humour and a playful ape-like mimicry. The outpouring of Kinshasa, city of dreams, city of turmoil.

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