FESTAC was a cultural-cum-intellectual feast funded principally by the military government of Nigeria. For this reason, it is important to highlight the general political climate of the world in the mid-1970s, as it played a role in the choices that the managers of the Nigerian state had to make in bringing about this cultural event.
imagi-nation nwar – genealogies of the black radical imagination in the francophone world
de-composed, an-arranged and re-produced by Chimurenga
feat. Mongo Beti & Odile Biyidi’s Peuples Noirs, Peuples Africains; Elsie Haas, Julius-Amédée Laou; Cheikh Anta Diop; FEANF; GONG; Gérard Lockel; Glissant’s IME; Suzanne Roussi; Paul Niger; Andrée Blouin; Maryse Condé; Guinea’s Cultural Revolution; Awa Thiam; Francoise Ega; Yambo Ouologuem; Groupe du 6 Novembre; ACTAF & Revolution Afrique; Med Hondo; Sidney Sokhona; Nicolas Silatsa; Somankidi Coura; Edja Kungali; Sarah Maldoror; Sony Labou Tansi; Madeleine Beauséjour; and many, many more…
New writing by: Michaela Danjé; Hemley Boum; Olivier Marboeuf; Marie-Héléna Laumuno; Amzat Boukari-Yabara; Amandine Nana with Julius-Amédée Laou; Sarah Fila-Bakabadio; Pierre Crépon; DY Ngoy; Dénètem Touam Bona; Christelle Oyiri; Native Maqari; Seumboy Vrainom with Malcom Ferdinand; the “undercommons” collective translation workshop coordinated by Rosanna Puyol (Brook).