Manda Tchebwa N’dombolo? First and foremost, an artistic secretion (the magical respiration of an entire generation of young Congolese), the Wenge generation’s most emblematic creation, a form of humour and a playful ape-like mimicry. The outpouring of Kinshasa, city of dreams, city of turmoil.
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an excerpt from ‘Lindela (the winnie suite)’ by Dominique Malaquais car, maps, time. passports. visas. the king’s m-o-t-h-e-r-f-u-c-k-i-n-g english. we have all of it. and still we don’t find anything
– Ntone Edjabe A few years ago, while researching the political history of Congo/Zaire/Congo via the country’s music archive, particularly through the output of Luambo Makiadi aka Franco, we turned to the legendary record collection of “Jumbo” Donald Vanrenen – a scholar of late-style rumba and early soukouss (a sound he helped construct via various A&R gigs […]
by Koketso Potsane Art has always been used to make statements about what is happening. In his article “Reciprocal Bases of National Culture and the Fight for Freedom,” Frantz Fanon argues that extreme ways of colonial domination always disrupts [in spectacular fashion] the cultural life of a conquered people. This is made possible by the laws/rules […]
Thousands of Africans, physically displaced and economically disabled by postcolonial dis-order, confront daily the violence of passage to, across and within borders of relative safety. Tagged all manner of other: temporary, foreign, homeless, opportunist, ephemeral, 2nd generational, thief, fence jumper, black… they arrive, are birthed, reborn—regardless of birthplace, status, story—as Europe’s “migrant crisis”; moving targets […]