BRANDFORT, LIBERATION CAPITAL [1977-86] – THE URBAN MAP

A supplement publication to the latest edition of Chimurenga Chronic

SONGS FOR WINNIE – LAUNCH OF THE CHRONIC WITH A SEMBLANCE

Chimurenga presents the launch of the latest edition of The

The Power of Green Crayons

Agri Ismaïl recalls growing up off the map... belonging to

The University of Soweto

Frank B. Wilderson draws from his memory of student protests

Sungura Stories

Ranga Mberi travels back in musical time to the 1980s

Imagined Waters

Through the poetry of its mariners – the singers of

Together in the Picture

John Peffer scans the photographic styles that image a black

The Way I See It: We Need New Myths

Perhaps the use of alternative points of emphasis is an

Penpoints, Gunpoints, and Dreams:
A history of creative writing instruction in East Africa

From the earnest hustle of our elders in writing during

LISTEN: SONGS FOR WINNIE BY A SEMBLANCE

LIVE ON PASS Thursday, 14 May 2026 from 7pm

POETS WITH GUNS: A CONVERSATION WITH CHIRIKURE CHIRIKURE

Achebe The Native Intellectual

It’s only a matter of acceleration now

Join Binyavanga Wainaina as he contemplates swimming, cosmology ...and interviews

WRITING AS AN ACT OF GENEROSITY

Mamadou Diallo reviews the state of language in Africa through

WHAT AFRICAN WRITERS CAN LEARN FROM CHEIKH ANTA DIOP

In a testament to Cheikh Anta Diop, Boubacar Boris Diop

The Pharaoh’s New Clothes

Its location, vocation, and publication intended to speak to a

How Could You Believe A Story Like That?

Stacy Hardy reviews Roberto Bolaño's 'Nazi Literature in the Americas'

WHY MUST A CHINESE WRITER WRITE ABOUT SEX

Robert Berold reviews Zhu Wen's 'I Love Dollars and Other