LISTEN: SONGS FOR WINNIE BY A SEMBLANCE

LIVE ON PASS Thursday, 14 May 2026 from 7pm

THE CHRONIC: BRANDFORT, LIBERATION CAPITAL [1977-86]

A special edition of Chimurenga Chronic, exploring the intellectual, social

THE FASTEST TITLER IN AMERICA

Stella Vincenot reviews Dany Laferrière's Je suis un écrivain japonais

The Art of War

A DREAMSCAPE OF ASTONISHMENT

Rustum Kozain review’s Jose Eduardo Agualusa’s 'My Father's Wives'

THE USEFULNESS OF FORGETTING

The usefulness of forgetting, a review of Were Were Liking's

Threatening the Hormonal Stability of Imbeciles

Stacy Hardy interviews author of 'Senselessness' Horacio Castellanos Moya

Senselessness

Stacy Hardy reviews the English translation of Horacio Castellanos Moya‘s

A PASSPORT BY ANY OTHER NAME

The concept of an Africa without borders for Africans remains

REIMAGINING THE SCRIPT – Saki Mafundikwa

“Don’t be satisfied with stories, how things have gone with

LISTEN: SONGS FOR WINNIE BY A SEMBLANCE

LIVE ON PASS Thursday, 14 May 2026 from 7pm

POETS WITH GUNS: A CONVERSATION WITH CHIRIKURE CHIRIKURE

Achebe The Native Intellectual

It’s only a matter of acceleration now

Join Binyavanga Wainaina as he contemplates swimming, cosmology ...and interviews

WRITING AS AN ACT OF GENEROSITY

Mamadou Diallo reviews the state of language in Africa through

WHAT AFRICAN WRITERS CAN LEARN FROM CHEIKH ANTA DIOP

In a testament to Cheikh Anta Diop, Boubacar Boris Diop

The Pharaoh’s New Clothes

Its location, vocation, and publication intended to speak to a

How Could You Believe A Story Like That?

Stacy Hardy reviews Roberto Bolaño's 'Nazi Literature in the Americas'

WHY MUST A CHINESE WRITER WRITE ABOUT SEX

Robert Berold reviews Zhu Wen's 'I Love Dollars and Other