Dear President Museveni
[hr] By Isaac Otidi Amuke [hr] I have debated about writing this for days, in case it has a negative effect on my ability to freely do the things I like doing, like eating fish in the open air pubs at Mulungu Beach in Munyonyo, devouring pork with friends in the roadside cafes in Wandegeya, or […]
Radical Rudeness
[hr] By Paula Akugizibwe[hr] In Seeing, Jose Saramago’s novel about the death of democracy, citizens in the capital city of an unnamed country calmly disengage from the ritual of elections, in which they have lost faith. The state retaliates by sealing off the city and withdrawing all public services, and in response residents organise themselves […]
Grandmothers Teaching: A view from South Africa
[hr] The proliferation of MA in Creative Writing programmes at universities raises questions of how creative practice is being institutionalised, incorporated, and made complicit within the system. Amidst calls to decolonise South Africa’s education curriculum, three writer-teachers reflect on how and why they teach, and on the possibilities of a committed and emancipatory teaching praxis. […]
Between: The state and Bhut’ Joe, the frequency and the future
[hr] An exchange between Julie Nxadi and Asher Gamedze unravels the state of order, disorder and disarray in the realm of the militarised, polarised institutions otherwise known as South African universities, where imagination spells danger and nothing is given for now and the future. [hr] I. Me and Bhut’ Joe do not speak. He knows […]
Penpoints, Gunpoints, and Dreams: A history of creative writing instruction in East Africa[hr] From the earnest hustle of our elders in writing during the 1960s to the contemporary dreams of ubiquitous hustler writers, Billy Kahora* wonders about the place of creative writing programmes. [hr] Ngugi wa Thiong’o’s memoir, Birth of a Dream Weaver, describes a unique moment at the 1962 Makerere Conference for Literature that feels straight […]
[hr] From the earnest hustle of our elders in writing during the 1960s to the contemporary dreams of ubiquitous hustler writers, Billy Kahora* wonders about the place of creative writing programmes. [hr] Ngugi wa Thiong’o’s memoir, Birth of a Dream Weaver, describes a unique moment at the 1962 Makerere Conference for Literature that feels straight […]