Author Archive | Chimurenga

In this issue, we put food back on the table: to restore the interdependence between the mouth that eats and the mouth that speaks, and to delve deeper into the subtle tactics of resistance and private practices that make food both a subversive art and a site of pleasure.

14 November 2017. News breaks of a coup d’état underway in Zimbabwe. Tanks, armoured vehicles and military personnel are seen patrolling the capital, Harare. The images send shock waves through social media, traditional broadcast news networks and diplomatic channels

Writers in the broadsheet include Jon Soske, Paula Akugizibwe, Yves Mintoogue, Adewale Maja-Pearce, Parsalelo Kantai, Fred Moten & Stefano Harney, Cedric Vincent, Deji Toye, Derin Ajao, Tony Mochama, Nana Darkoa Sekyiamah,Agri Ismaïl, Lindokuhle Nkosi, Bongani Kona, Stacy Hardy, Emmanuel Induma, Ugochukwu-Smooth Nzewi, Lolade Ayewudi, Simon Kuper and many others.

This edition of the Chronic, offers forays into interlaced subjects of power, resistance, protest, mobilisation, mobility and belonging. Marked by an urgency to unsettle divides between opportunism and opportunity, life and liberation, here and there, and then and now-now, the newspaper acts as a platform from which to engage the practices, dilemmas and possibilities of different world.

We understand the role of cartography as a tool of imperialism. However, in this edition of the Chronic, we ask: what if maps were made by Africans for their own use, to understand and make visible their own realities or imaginaries?

In the minds of many, the Sahara exists as a boundary between the Maghreb and “Black Africa”. History and our lived experience tell a different story. The latest issue of Chimurenga’s pan African gazette, the Chronic,

This issue of Chimurenga’s pan-African quarterly gazette, the Chronic, explores ideas around mythscience, science fiction and graphic storytelling. Like previous editions of the Chronic,

For the new issue of Chimurenga’s pan African gazette, the Chronic, the focus is on graphic stories; comic journalism. Blending illustrations, photography, written analysis, infographics, interviews, letters and more, visual narratives speak of everyday complexities in the Africa in which we live.

In the fall of 2015, universities across South Africa were engulfed by fires ignited by students’ discontent with the racial discrimination and colonialism that still defines the country’s institutes of higher education.

A 48-page newspaper and 40-page stand-alone books review magazine featuring writing, art and photography inflected by the workings of innovation, creativity and resistance.

What is the African imagination of a borderless world? What are our ideas on territoriality, borders and movement? How to move beyond so-called progressive discourse on “freedom of movement”