Composed, arranged and performed by Neo Muyanga, this audio cd supplement was part of the Chimurenga Chronicle (October 2011) , a speculative newspaper which is issue 16 of Chimurenga.
Tracklist:
a) 1+1= (a re-composition of a 5000-year-old offering to Lord Ganesha, the Hindu deity, an opener of sorts)
b) 4:7 (heaven’s on the ocean is a proportional refrain on reaching nirvana, the 7th grade, via the mundane material world)
c) 3sin= rθ (sino projection technology theme)
d) 3(x)n (illegal border crossing and migration theme. composed for dancers)
e) e=mcx \rightarrow \infty (a true story about an explosive riot day with SADF soldiers who attacked Soweto on June 16th, 1985. Composed for those who got hurt)
f) ƒ:X→Y (horizon heart aflame. Composed for a lover)
g) (a summing of random themes theme)
h) 4x+2 (the 2 or 4 step theme)
i) y~ 6/8 (a travelling theme in 6 parts over eight. Composed for puppets)
j) y\ge \!\, 6/8 (a running theme in 6 parts over 8 )
k) 1/4° (a kota bread theme. Composed for skolies and thieves)
l) (a perpetual circle. Composed for an apartheid-era multi-racial soccer club)
ASAI (Africa South Art Initiative)
Africa South Art Initiative’s research focuses on artists working on the African continent, particularly those challenging or commenting on power relations, unsettling dominant perceptions and frameworks, and/or who have a history of being under-valued by the art world and society at large. Research also focuses on community arts organisations with their roots in the struggle against apartheid. In addition, ASAI provides a platform for publishing research on a wide-range of relevant issues.
ASAI produces new and necessary resources on art and artists in Africa, and makes these resources accessible, mostly online. Resources serve a wide range of constituents, from students in schools to professionals and specialist practitioners.
ASAI’s emphasis on research and resources is rooted in activism, in conceiving of art as both a force for social change, as well as a site of struggle in its own right. Through critiques, discussions and debates, workshops and exhibitions, publications and social media, ASAI creates dynamic platforms that not only produce new resources, but also aim to generate new ways of seeing and doing.
