Composed, arranged and performed by Neo Muyanga, this audio cd supplement was part of the Chimurenga Chronicle (October 2011) , a speculative newspaper which is issue 16 of Chimurenga.
Tracklist:
a) 1+1= (a re-composition of a 5000-year-old offering to Lord Ganesha, the Hindu deity, an opener of sorts)
b) 4:7 (heaven’s on the ocean is a proportional refrain on reaching nirvana, the 7th grade, via the mundane material world)
c) 3sin= rθ (sino projection technology theme)
d) 3(x)n (illegal border crossing and migration theme. composed for dancers)
e) e=mcx \rightarrow \infty (a true story about an explosive riot day with SADF soldiers who attacked Soweto on June 16th, 1985. Composed for those who got hurt)
f) ƒ:X→Y (horizon heart aflame. Composed for a lover)
g) (a summing of random themes theme)
h) 4x+2 (the 2 or 4 step theme)
i) y~ 6/8 (a travelling theme in 6 parts over eight. Composed for puppets)
j) y\ge \!\, 6/8 (a running theme in 6 parts over 8 )
k) 1/4° (a kota bread theme. Composed for skolies and thieves)
l) (a perpetual circle. Composed for an apartheid-era multi-racial soccer club)
A History of Disappearance by Sarah Lubala (Botsotso, 2022)
Sarah Lubala’s debut collection of poetry, A History of Disappearance, centres on the experiences of those living on the margins, particularly girls and women.
The opening poem, “6 Errant Thoughts on Being a Refugee,” for which Lubala was shortlisted for the prestigious Gerald Kraak Award, sets the tone for this important collection.
The 56 poems span themes such as forced migration, gender-violence, xenophobia, race, mental illness, love, and belonging. The notion of disappearance runs like a thread through each of them, not only as an event, but, as Lubala describes it in an interview with OkayAfrica, also “as a structure of experience.” Lubala writes in taut, bare sentences, potent in their lyrical beauty.