DIPALO a mixtape for those who practice counting

Composed, arranged and performed by Neo Muyanga, this audio cd supplement was part of the Chimurenga Chronicle (October 2011) , a speculative newspaper which is issue 16 of Chimurenga.


Tracklist:

a) 1+1= (a re-composition of a 5000-year-old offering to Lord Ganesha, the Hindu deity, an opener of sorts)

b) 4:7 (heaven’s on the ocean is a proportional refrain on reaching nirvana, the 7th grade, via the mundane material world)

c) 3sin= rθ (sino projection technology theme)

d) 3(x)n (illegal border crossing and migration theme. composed for dancers)

e) e=mcx \rightarrow \infty (a true story about an explosive riot day with SADF soldiers who attacked Soweto on June 16th, 1985. Composed for those who got hurt)

f) ƒ:X→Y (horizon heart aflame. Composed for a lover)

g) (a summing of random themes theme)

h) 4x+2 (the 2 or 4 step theme)

i) y~ 6/8 (a travelling theme in 6 parts over eight. Composed for puppets)

j) y\ge \!\, 6/8 (a running theme in 6 parts over 8 )

k) 1/4° (a kota bread theme. Composed for skolies and thieves)

l) (a perpetual circle. Composed for an apartheid-era multi-racial soccer club)




Chimurenga 16: The Chimurenga Chronicle (October 2011)

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Chimurenga 16: The Chimurenga Chronicle (October 2011)
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Weight: 1.00 kg

The Chimurenga Chronicle, is the once-off edition of an imaginary newspaper which is issue 16 of Chimurenga.

Set in the week 18-24 May 2008, the Chronic imagines the newspaper as producer of time – a time-machine. The print edition includes a 128-page multi-section broadsheet, packaged with 40 page Chronic Life Magazine and the 96 page Chronic Book Review Magazine.

An intervention into the newspaper as a vehicle of knowledge production and dissemination, it seeks to provide an alternative to mainstream representations of history, on the one hand filling the gap in the historical coverage of this event, whilst at the same time reopening it. The objective is not to revisit the past to bring about closure, but rather to provoke and challenge our perceptions.

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