“Three generations of white South African men were bound together at that table. Vermuelen was the first generation. He defined Africa, made it safe for Basson to defile. I was the last generation, the last to grow up in segregated neighborhoods. Between us was the silent photograph of Wouter Basson. Like a distant father, Basson was absent at the dining table.” – Henk Rossouw (Hole in the White ‘Hood). Also Mahmood Mamdani on Bantu Education at UCT, Gael Reagon on sisterhood, Binyavanga Wainaina on dis-covering Kenya, Gaston Zossou on African intellectuals and more…
Cover:
Strange Fruit by Lewis Allen
Zara Julius
Zara Julius (b. 1992 Johannesburg) is an interdisciplinary artist, researcher and cultural worker based in Johannesburg, South Africa. She is also the founder of Pan-African creative research and cultural storytelling agency, KONJO. Her practice is informed by her working methodology of ‘rapture’, and is concerned with the relationship between Black performativity, frequency, concealment and fugitivity in the settler (post) colony, with a special focus on what we call the ‘Global South’. Working with sound, video, performance and image-based installation, Zara Julius’ practice involves the collection, selection, collage and creation of archives (real, imagined and embodied) through extensive research projects. She is especially engaged in thinking through the internal workings of the Black sonic, and how they might help us reconstitute time (pasts, presents, futures) in the face of various unfreedoms.
