Writers in the broadsheet include Jon Soske, Paula Akugizibwe, Yves Mintoogue, Adewale Maja-Pearce, Parsalelo Kantai, Fred Moten & Stefano Harney, Cedric Vincent, Deji Toye, Derin Ajao, Tony Mochama, Nana Darkoa Sekyiamah,Agri Ismaïl, Lindokuhle Nkosi, Bongani Kona, Stacy Hardy, Emmanuel Induma, Ugochukwu-Smooth Nzewi, Lolade Ayewudi, Simon Kuper and many others.
Search results for "Simon Kuper"
The Chronic (August 2013)
Writers in the broadsheet include Jon Soske, Paula Akugizibwe, Yves Mintoogue, Adewale Maja-Pearce, Parsalelo Kantai, Fred Moten & Stefano Harney, Cedric Vincent, Deji Toye, Derin Ajao, Tony Mochama, Nana Darkoa Sekyiamah,Agri Ismaïl, Lindokuhle Nkosi, Bongani Kona, Stacy Hardy, Emmanuel Induma, Ugochukwu-Smooth Nzewi, Lolade Ayewudi, Simon Kuper and many others.
Chimurenga 10 – Futbol, Politricks and Ostentatious Cripples (December 2006)
We scope the stadia, markets, ngandas and banlieues to spotlight narratives of love, hate and the wide and deep spectrum of emotions and affiliations that the game of football generates.
Sports Chatter
Simon Kuper discusses the drivel in the drip-feed that is mainstream sports […]
Shift The Goalposts Of Disadvantage
By Simon Kuper Every year, in an election you may have missed, […]
Nothing but… Grobbelaar
A line-up of football stories wouldn’t be complete without Simon Kuper. In a […]
Contributors
Chimurenga People include: Ntone Edjabe (publisher & editor-in-chief); Stacy Hardy (books & […]
Chimurenga 10 – Futbol, Politricks and Ostentatious Cripples (December 2006)
We scope the stadia, markets, ngandas and banlieues to spotlight narratives of love, hate and the wide and deep spectrum of emotions and affiliations that the game of football generates.
African Cities Reader I: Pan-African Practices
In the launch issue Rustum Kozain muses over the cultural and alternative relations built, negotiations and dealings made as a resident of Cape Town (South Africa); Jean-Christophe Lanquetin’s SAPE Project is captured in a pictorial narrative;
African Cities Reader III: Land, Property & Value
The third installment of the Reader explores the unholy trinity of land, property and value – the life force of cities everywhere. In this issue António Andrade Tomás reveals the vice and violence that permeate the act of securing land and home in Luanda;
Georgia Anne Muldrow & Declaime LIVE at Guga S’thebe, Langa
Listen to Georgia Anne Muldrow and Dudley ‘Declaime’ Perkins, recorded live at the Guga S’thebe, Langa […]
THE UN-COLLECTED WRITINGS OF GREG TATE
Greg Tate has spent the last two decades formulating a critical language […]
REVUE NOIRE
Inspired by the growing, vibrant global community of pan African artists and […]
The Invention of African Football
Moses März documents his fleeting orbit of the “African” football scene, from […]
Franc-maçonnerie Suite
By Dominique Malaquais 1st Movement : Uncle Tom or DOM-TOM? Il y a […]
Together in the Picture
John Peffer scans the photographic styles that image a black South African […]
African Cities Reader III: Land, Property & Value
The third installment of the Reader explores the unholy trinity of land, property and value – the life force of cities everywhere. In this issue António Andrade Tomás reveals the vice and violence that permeate the act of securing land and home in Luanda;
Exitour as Rhizome
“Why did we embark on this insane trip?” Having journeyed together from Douala to […]
Out of sight and out of mind in High Care
Mike Abrahams recently spent seven weeks as an involuntary patient at Valkenberg […]
Stickfighting Days
A good sport? Olufemi Terry summons up the spirit of (K.Sello Duiker’s) Ah-zoo-ray […]
All Roads Lead to Hendrix
Greg Tate‘s epic Hendrixian map hyperlinked to the hilt. As all roads […]
Platinum Dreams
Anglo American’s boardrooms at 44 Main Street, Joburg, and Carlton House Terrace, […]
African Cities Reader I: Pan-African Practices
In the launch issue Rustum Kozain muses over the cultural and alternative relations built, negotiations and dealings made as a resident of Cape Town (South Africa); Jean-Christophe Lanquetin’s SAPE Project is captured in a pictorial narrative;