The Chronic (August 2013)

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Published by Chimurenga, the Chronic is quarterly pan African newspaper that gives voice to all aspects of life on the continent and celebrates our capacity to continually produce something bold, beautiful and full of humour.

Produced in Cape Town, Johannesburg, Nairobi, Paris, Lagos, Yaoundé, Accra, Kinshasa, Dakar, Kampala and Delhi, and distributed globally, it seeks to write Africa in the present and into the world at large, as the place in which we live, love and work.

The new issue, available now, features reportage, creative non-fiction, autobiography, satire, analysis, photography and illustration to offer a richly textured engagement with everyday life.

In its pages artists and writers from around the world take on the philanthropic complex to unravel the philosophies of dependency and power at play in the civil society of African states. Paula Akugizibwe assumes observer status at the African Union to uncover the charm offensive that keeps the West in control, while Parselelo Kantai exposes the manufacture of post-election peace in Kenya. Also, we journey into the AU headquarters in the heat of the political crisis in Mali and speak with Raila Odinga about the arithmetic skills of Kenya’s Independent Electoral and Boundaries Commission.

Elsewhere Yves Mintoogue and Adewale Maja-Pearce diagnose the First Lady Syndrome in the political patronage of Chantou Biya and Dame Jonathan; Agri Ismaïl eavesdrops in on Islamic finance after the market crash; Deji Toye looks at the Nigerian art of patronage; and Cédric Vincent exposes the political rhetoric that caused all the chaos at both Benin biennales of 2012.

As an alternative, three pan-African art projects overcome maps and institutional bureaucracy through networks and synergies; Ghana’s controversial duo FOKN Bois fuck with the puritanical mores in the world’s most religious country; and we listen in on the rebirth of the new thing in Cape Town’s jazz scene.

The Chronic also goes back to university to recount seventeen stories of love and learning under the World Bank and interviews Fred Moten and Stefano Harney on the possibility of staging a revolution “with and for” the university.

The wide-ranging sports coverage kicks off with Bongani Kona’s reflection on Zimbabwean players in South African rugby. In addition, Simon Kuper points out Africa’s best footballers aren’t African and Akin Adesokan learns 24 tricks of the forehand from Roger Federer.

The stand-alone Chronic Books magazine is a self help guide on reading and writing. Learn how to be a Nigerian from Peter Enahoro, Nigeria’s ‘woman of letters’ and the masters of Onitsha Market Literature. Get advice on how to live and how to write from Mohsin Hamid and Werewere Liking; meet the next generation of playwrights; and find out why you should be reading Ken Saro-Wiwa, Jose Saramago, Eric Miyeni, Andile Mngxitama, Gonçalo Tavares, Vivek Narayanan, Nthikeng Mohele, A. Igoni Barrett, Abdellatif Laâbi, Gabriela Jauregui and many more.

Get the print addition of the Chronic from select retailers throughout South Africa (including Exclusive Books, selected Spaza, independent bookstops and on the street in the first week of release), as well as in select shops in Abuja, Lagos, Nairobi, New York, London, Berlin and The Netherlands (get a for a full list of stockists worldwide here).

The Chronic is also available as both a print and digital edition in the online shop.

 

 

 

The Chimurenga Chronic is funded by the German Federal Cultural Foundation and the Goethe-Intitut.

 

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Dlala Indima 2010 to 2020 - Retrospective | Portrait of a Graffiti Project by Buntu Fihla and Dr Zingisa Nkosinkulu (Fihla Consulting (PTY) Ltd, 2023)

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Dlala Indima 2010 to 2020 - Retrospective | Portrait of a Graffiti Project by Buntu Fihla and Dr Zingisa Nkosinkulu (Fihla Consulting (PTY) Ltd, 2023)

Product Details

“Dlala Indima 2010 to 2020 Retrospective: Portrait of a Graffiti Project” is a new book project by Buntu Fihla and Dr Zingisa Nkosinkulu that offers a unique perspective on graffiti as a tool for social change. The book is written in the form of a conversation interview, providing readers with a first-hand account of the Dlala Indima graffiti project and its impact on marginalised communities in the Eastern Cape Province.

Graffiti is often seen as a form of vandalism, but “Dlala Indima” aims to challenge this perception by highlighting the positive impact that graffiti can have on society. As an art form that originates from the street, graffiti has historically been used as a means of expression for marginalized communities. The book examines how graffiti can be used to challenge the oppressive state of the system and enable the marginalised to speak, resist and depict their lived experiences.Through a combination of storytelling, images, and narratives, the book on “Dlala Indima” offers a historical and philosophical reflection on the meaning and significance of the Dlala Indima projects.
The book highlights how hip-hop culture, which encompasses the five elements of emceeing, deejaying, b-boying, graffiti, and beatboxing, can provide a platform for knowledge production, new cultural development, and storytelling.“Dlala Indima’’ offers readers a unique perspective on the project, the history of graffiti in the Eastern Cape and its impact on marginalized communities.
Buntu Fihla and Dr Zingisa Nkosinkulu provide firsthand accounts of their experiences working on the Dlala Indima project and highlight the importance of sub-cultures in preserving indigenous knowledge and challenging the colonial system. “Dlala Indima 2010 to 2020 Retrospective: Portrait of a Graffiti Project” is a must-read for anyone interested in graffiti, hip hop culture, and social change.
The book is available for order from the author via email at: buntu.f@gmail.com Also available from eDikeni Gqeberha on 184 Main Rd, Walmer and 43 Bird Str, Central, Gqebera.
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