The Chronic (August 2013)

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Published by Chimurenga, the Chronic is quarterly pan African newspaper that gives voice to all aspects of life on the continent and celebrates our capacity to continually produce something bold, beautiful and full of humour.

Produced in Cape Town, Johannesburg, Nairobi, Paris, Lagos, Yaoundé, Accra, Kinshasa, Dakar, Kampala and Delhi, and distributed globally, it seeks to write Africa in the present and into the world at large, as the place in which we live, love and work.

The new issue, available now, features reportage, creative non-fiction, autobiography, satire, analysis, photography and illustration to offer a richly textured engagement with everyday life.

In its pages artists and writers from around the world take on the philanthropic complex to unravel the philosophies of dependency and power at play in the civil society of African states. Paula Akugizibwe assumes observer status at the African Union to uncover the charm offensive that keeps the West in control, while Parselelo Kantai exposes the manufacture of post-election peace in Kenya. Also, we journey into the AU headquarters in the heat of the political crisis in Mali and speak with Raila Odinga about the arithmetic skills of Kenya’s Independent Electoral and Boundaries Commission.

Elsewhere Yves Mintoogue and Adewale Maja-Pearce diagnose the First Lady Syndrome in the political patronage of Chantou Biya and Dame Jonathan; Agri Ismaïl eavesdrops in on Islamic finance after the market crash; Deji Toye looks at the Nigerian art of patronage; and Cédric Vincent exposes the political rhetoric that caused all the chaos at both Benin biennales of 2012.

As an alternative, three pan-African art projects overcome maps and institutional bureaucracy through networks and synergies; Ghana’s controversial duo FOKN Bois fuck with the puritanical mores in the world’s most religious country; and we listen in on the rebirth of the new thing in Cape Town’s jazz scene.

The Chronic also goes back to university to recount seventeen stories of love and learning under the World Bank and interviews Fred Moten and Stefano Harney on the possibility of staging a revolution “with and for” the university.

The wide-ranging sports coverage kicks off with Bongani Kona’s reflection on Zimbabwean players in South African rugby. In addition, Simon Kuper points out Africa’s best footballers aren’t African and Akin Adesokan learns 24 tricks of the forehand from Roger Federer.

The stand-alone Chronic Books magazine is a self help guide on reading and writing. Learn how to be a Nigerian from Peter Enahoro, Nigeria’s ‘woman of letters’ and the masters of Onitsha Market Literature. Get advice on how to live and how to write from Mohsin Hamid and Werewere Liking; meet the next generation of playwrights; and find out why you should be reading Ken Saro-Wiwa, Jose Saramago, Eric Miyeni, Andile Mngxitama, Gonçalo Tavares, Vivek Narayanan, Nthikeng Mohele, A. Igoni Barrett, Abdellatif Laâbi, Gabriela Jauregui and many more.

Get the print addition of the Chronic from select retailers throughout South Africa (including Exclusive Books, selected Spaza, independent bookstops and on the street in the first week of release), as well as in select shops in Abuja, Lagos, Nairobi, New York, London, Berlin and The Netherlands (get a for a full list of stockists worldwide here).

The Chronic is also available as both a print and digital edition in the online shop.

 

 

 

The Chimurenga Chronic is funded by the German Federal Cultural Foundation and the Goethe-Intitut.

 

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Chimurenga Chronic: Who Killed Kabila II (April 2019)

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Chimurenga Chronic: Who Killed Kabila II (April 2019)

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Who killed Kabila? This issue of the Chronic presents this query as the starting point for an in-depth investigation into power, territory and the creative imagination by writers from the Congo and other countries involved in the conflict.
8 years after the assassination of Laurent-Désiré Kabila, rumours still proliferate. But who killed Kabila is no mystery. It is not A or B or C. But rather A and B and C. All options are both true and necessary – it’s the coming together of all these individuals, groups and circumstances, on one day, within the proliferating course of the history, that does it.
We’ve heard plenty about the danger of the single story – in this issue of Chronic, we explore its power. We take inspiration from the Congolese musical imagination, its capacity for innovation and its potential to allow us to think “with the bodily senses, to write with the musicality of one’s own flesh.”
However, this editorial project doesn’t merely put music in context, it proposes music as the context, the paradigm for the writing. The single story we write borrows from the sebene – the upbeat, mostly instrumental part of Congolese rumba famously established by Franco (Luambo Makiadi), which consists in the lead guitarist playing short looping phrases with variations so slight only trained hips can pick up.
Similarly, to follow Ousmane Sembene’s late-style of multi-location and polyphony as decolonial narrative tools, we invited writers from the countries directly involved and implicated in the events surrounding Kabila’s death (DR Congo, Rwanda, Uganda, Zimbabwe, Angola, and a de-territorialised entity called AFDL) to write, all, the same story.
Working fluidly between fact and fiction, and featuring multiple forms of writing, the contributors – Yvonne Owuor, Antoine Vumilia Muhindo, Parselelo Kantai, Jihan El-Tahri, Daniel K. Kalinaki, Kivu Ruhorahoza, Percy Zvomuya and Sinzo Aanza – use the event-scene of the shooting is their starting point to collectively tell the single story with its multiplication of plots and subplots that challenge history as a linear march, and tell not the sum but the derangement of its parts.
The content might make you weep, but this issue of the Chronic is conceived as the sebene, you can dance to it.
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