What could the curriculum be – if it was designed by the people who dropped out of school so that they could breathe? The latest issue of Chimurenga provides alternatives to prevailing educational pedagogy. Through fiction, essays, interviews, poetry, photography and art, contributors examine and redefine rigid notions of essential knowledge.
Presented in the form of a textbook, Chimurenga 15 simultaneously mimics the structure while gutting it. All entries are regrouped under subjects such as body parts, language, grace, worship and news (from the other side), numbers, parents, police and many more. Through a classification system that is both linear and thematic, the textbook offers multiple entry points into a curriculum that focuses on the un-teachable and values un-learning as much as it’s opposite.
Inside: Amiri Baraka waxes poetic on the theoretics of Be-Bop; Coco Fusco flips the CIA’s teaching manual for female torturers; Karen Press and Steve Coleman instruct in folk-dancing; Dambudzo Marechera proposes a “guide to the earth”; Dominique Malaquais designs the museum we won’t build; through self-portraits Phillip Tabane and Johnny Dyani offer method to the Skanga (black music family); and Winston Mankunku refuses to teach.
Other contributors include Binyavanga Wainaina, Akin Adesokan, Isoje Chou, Sean O’Toole, Pradid Krishen, E.C. Osundu, Salim Washington, Sefi Atta, Ed Pavlic, Neo Muyanga, Henri-Michel Yere, Medu Arts Ensemble, Aryan Kaganof, Khulile Nxumalo and Walter Mosley amongst others. Cover by Johnny “Mbizo” Dyani.
Unity in Flight (Botsotso, 2001)
This volume was the first anthology of fiction (2001) and included work by writers who had been published in the Botsotso Literary Journal. The themes reflect the turmoil of the 1980’s and the new issues raised in the 90’s.
Maropodi Mapalakanye’s stories focus on the political-military struggle against apartheid with an emphasis on the deadly ‘twists of fate’ that insurrection spawns with regard to the need to resist and its collateral damage to oppressed people. Peter Rule deals with more personal issues such as the anguish of rape and homophobic violence, the devastation of AIDS and the trauma of surviving police interrogation.
Zachariah Rapola brings a surreal and tragic touch to stories about lonely misfits in Alexandria, Joburg’s oldest African township. Michael Vines, on the other hand, writes about arty white suburban youth whose alienation is just as acute despite their wealthier environment. Phaswane Mpe’s stories all foreshadow his novel Welcome to our Hillbrow which also deals with student life in Johannesburg and the ramifications of the Aids epidemic.
Lastly, Kolski Horwitz touches on both the general political landscape of decolonization and internal corruption within the liberation movements as well as the shifting tides of sexual behaviour.