Chimurenga 15 – The Curriculum Is Everything (June 2010)

What could the curriculum be – if it was designed by the people who dropped out of school so that they could breathe? The latest issue of Chimurenga provides alternatives to prevailing educational pedagogy. Through fiction, essays, interviews, poetry, photography and art, contributors examine and redefine rigid notions of essential knowledge.

Presented in the form of a textbook, Chimurenga 15 simultaneously mimics the structure while gutting it. All entries are regrouped under subjects such as body parts, language, grace, worship and news (from the other side), numbers, parents, police and many more. Through a classification system that is both linear and thematic, the textbook offers multiple entry points into a curriculum that focuses on the un-teachable and values un-learning as much as it’s opposite.

Inside: Amiri Baraka waxes poetic on the theoretics of Be-Bop; Coco Fusco flips the CIA’s teaching manual for female torturers; Karen Press and Steve Coleman instruct in folk-dancing; Dambudzo Marechera proposes a “guide to the earth”; Dominique Malaquais designs the museum we won’t build; through self-portraits Phillip Tabane and Johnny Dyani offer method to the Skanga (black music family); and Winston Mankunku refuses to teach.

Other contributors include Binyavanga Wainaina, Akin Adesokan, Isoje Chou, Sean O’Toole, Pradid Krishen, E.C. Osundu, Salim Washington, Sefi Atta, Ed Pavlic, Neo Muyanga, Henri-Michel Yere, Medu Arts Ensemble, Aryan Kaganof, Khulile Nxumalo and Walter Mosley amongst others. Cover by Johnny “Mbizo” Dyani.


The Mbari Artists and Writers Club in Ibadan (Iwalewa Books, 2018)

SKU 364215376135199
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This book aims to reactivate the archival material by Ulli Beier, co-founder of the Black Orpheus Magazine and the Mbari Clubs in Nigeria in the early 1960s. To better understand the formation of modernities from a transcultural perspective, the book gives an overview on the exciting times of the Mbari Artists and Writers Club in Ibadan through the archival documents.

This book is published in the context of the exhibition "museum global. Microhistories of an Ex-centric Modernism" by Kunstsammlung NRW, Düsseldorf and is the first collaboration between the Centre of Black Culture and International Understanding in Osogbo (Nigeria) and Iwalewahaus, University of Bayreuth.

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The Mbari Artists and Writers Club in Ibadan (Iwalewa Books, 2018)

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