What could the curriculum be – if it was designed by the people who dropped out of school so that they could breathe? The latest issue of Chimurenga provides alternatives to prevailing educational pedagogy. Through fiction, essays, interviews, poetry, photography and art, contributors examine and redefine rigid notions of essential knowledge.
Presented in the form of a textbook, Chimurenga 15 simultaneously mimics the structure while gutting it. All entries are regrouped under subjects such as body parts, language, grace, worship and news (from the other side), numbers, parents, police and many more. Through a classification system that is both linear and thematic, the textbook offers multiple entry points into a curriculum that focuses on the un-teachable and values un-learning as much as it’s opposite.
Inside: Amiri Baraka waxes poetic on the theoretics of Be-Bop; Coco Fusco flips the CIA’s teaching manual for female torturers; Karen Press and Steve Coleman instruct in folk-dancing; Dambudzo Marechera proposes a “guide to the earth”; Dominique Malaquais designs the museum we won’t build; through self-portraits Phillip Tabane and Johnny Dyani offer method to the Skanga (black music family); and Winston Mankunku refuses to teach.
Other contributors include Binyavanga Wainaina, Akin Adesokan, Isoje Chou, Sean O’Toole, Pradid Krishen, E.C. Osundu, Salim Washington, Sefi Atta, Ed Pavlic, Neo Muyanga, Henri-Michel Yere, Medu Arts Ensemble, Aryan Kaganof, Khulile Nxumalo and Walter Mosley amongst others. Cover by Johnny “Mbizo” Dyani.
The Distance Between Yesterday and Tomorrow was curated by Favour Ritario in 2021. The publication explored the notions of African identity through the works of contemporary East African artists including Sungi Mlengeya, Tahir Carl Karmali, Lemek Tompoika, Eria Nsubuga Sane, Agnes Waruguru, Migadde Adrian, and Aloka Trevor. Favour Ritaro is a Nigerian curator whose research and curatorial work is focused on personal and cultural identities. She was the first ARAK Collection 2021 Curatorial Residency Fellowship Recipient. Exploring themes of memory, migration, place, and gender, the publication aims to dialogue with present-day events and past happenings in hopes of imagining alternative realities in the future. Working with various media, each artist in this book dialogues with the complexities of the African identity, and challenges the preconceived notion of what it means to be African. The book examines the multiple understanding of what it means to be African within historical and political context.