Chimurenga 15 – The Curriculum Is Everything (June 2010)

What could the curriculum be – if it was designed by the people who dropped out of school so that they could breathe? The latest issue of Chimurenga provides alternatives to prevailing educational pedagogy. Through fiction, essays, interviews, poetry, photography and art, contributors examine and redefine rigid notions of essential knowledge.

Presented in the form of a textbook, Chimurenga 15 simultaneously mimics the structure while gutting it. All entries are regrouped under subjects such as body parts, language, grace, worship and news (from the other side), numbers, parents, police and many more. Through a classification system that is both linear and thematic, the textbook offers multiple entry points into a curriculum that focuses on the un-teachable and values un-learning as much as it’s opposite.

Inside: Amiri Baraka waxes poetic on the theoretics of Be-Bop; Coco Fusco flips the CIA’s teaching manual for female torturers; Karen Press and Steve Coleman instruct in folk-dancing; Dambudzo Marechera proposes a “guide to the earth”; Dominique Malaquais designs the museum we won’t build; through self-portraits Phillip Tabane and Johnny Dyani offer method to the Skanga (black music family); and Winston Mankunku refuses to teach.

Other contributors include Binyavanga Wainaina, Akin Adesokan, Isoje Chou, Sean O’Toole, Pradid Krishen, E.C. Osundu, Salim Washington, Sefi Atta, Ed Pavlic, Neo Muyanga, Henri-Michel Yere, Medu Arts Ensemble, Aryan Kaganof, Khulile Nxumalo and Walter Mosley amongst others. Cover by Johnny “Mbizo” Dyani.


No Easter Sunday For Queers by Koleka Putuma (Manyano Media, 2021)

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No Easter Sunday For Queers by Koleka Putuma (Manyano Media, 2021)

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NO EASTER SUNDAY FOR QUEERS follows the hate crime murderlove story of Napo and Mimi. The lovers, through the spirit, subconscious,Easter Sunday sermon, return on the anniversary of their wedding death crucifixion to make the church pastor perpetratorFather reconcile reckon with the present and the past and a sacrifice crucifixion he must account for. The alter is a cross and the subconscious a court room where the dead seek justice for a an act sin committed by their perpetrators. The antagonist protagonists cannot any more tell the past from the present and scripture from the truth. Every year, through the visitations on Easter Sunday the pastor and his church is made to remember.
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