Chimurenga 15 – The Curriculum Is Everything (June 2010)

What could the curriculum be – if it was designed by the people who dropped out of school so that they could breathe? The latest issue of Chimurenga provides alternatives to prevailing educational pedagogy. Through fiction, essays, interviews, poetry, photography and art, contributors examine and redefine rigid notions of essential knowledge.

Presented in the form of a textbook, Chimurenga 15 simultaneously mimics the structure while gutting it. All entries are regrouped under subjects such as body parts, language, grace, worship and news (from the other side), numbers, parents, police and many more. Through a classification system that is both linear and thematic, the textbook offers multiple entry points into a curriculum that focuses on the un-teachable and values un-learning as much as it’s opposite.

Inside: Amiri Baraka waxes poetic on the theoretics of Be-Bop; Coco Fusco flips the CIA’s teaching manual for female torturers; Karen Press and Steve Coleman instruct in folk-dancing; Dambudzo Marechera proposes a “guide to the earth”; Dominique Malaquais designs the museum we won’t build; through self-portraits Phillip Tabane and Johnny Dyani offer method to the Skanga (black music family); and Winston Mankunku refuses to teach.

Other contributors include Binyavanga Wainaina, Akin Adesokan, Isoje Chou, Sean O’Toole, Pradid Krishen, E.C. Osundu, Salim Washington, Sefi Atta, Ed Pavlic, Neo Muyanga, Henri-Michel Yere, Medu Arts Ensemble, Aryan Kaganof, Khulile Nxumalo and Walter Mosley amongst others. Cover by Johnny “Mbizo” Dyani.


Keorapetse Kgositsile & The Black Arts Movement by Uhuru Portia Phalafala (Wits University Press, 2024)

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Keorapetse Kgositsile & The Black Arts Movement by Uhuru Portia Phalafala (Wits University Press, 2024)

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Phalafala on "the foundational influence of Kgositsile's mother and grandmother on his craft and ... the importance of the oral/aural traditions, indigenous knowledge systems, and cosmologies he carried with him into and after exile ... Using the original concept of 'elsewhere', the author maps the sources of Kgositsile's transformative verse, which in turn generated 'poetics of possibility' for his contemporaries in the Black Arts and Black Power Movements and beyond - among them Maya Angelou, Larry Neal, Gwendolyn Brooks, Tom Dent, members of The Last Poets, Otabenga Jones & Associates, and rapper Earl Sweatshirt - who all looked to his work to model their identities, cultural movements and radical traditions."

South African Tswana poet, journalist and political activist Keorapetse Kgositsile (1938-2018), also known by his pen name Bra Willie, was an influential member of the African National Congress in the 1960s and 1970s. He was inaugurated as South Africa's National Poet Laureate in 2006.

Uhuru Portia Phalafala is a Senior Lecturer at Stellenbosch University, author of the poetry collection Mine Mine Mine (2023), and co-editor of Keorapetse Kgositsile: Collected poems 1969-2018 (2023).


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