What could the curriculum be – if it was designed by the people who dropped out of school so that they could breathe? The latest issue of Chimurenga provides alternatives to prevailing educational pedagogy. Through fiction, essays, interviews, poetry, photography and art, contributors examine and redefine rigid notions of essential knowledge.
Presented in the form of a textbook, Chimurenga 15 simultaneously mimics the structure while gutting it. All entries are regrouped under subjects such as body parts, language, grace, worship and news (from the other side), numbers, parents, police and many more. Through a classification system that is both linear and thematic, the textbook offers multiple entry points into a curriculum that focuses on the un-teachable and values un-learning as much as it’s opposite.
Inside: Amiri Baraka waxes poetic on the theoretics of Be-Bop; Coco Fusco flips the CIA’s teaching manual for female torturers; Karen Press and Steve Coleman instruct in folk-dancing; Dambudzo Marechera proposes a “guide to the earth”; Dominique Malaquais designs the museum we won’t build; through self-portraits Phillip Tabane and Johnny Dyani offer method to the Skanga (black music family); and Winston Mankunku refuses to teach.
Other contributors include Binyavanga Wainaina, Akin Adesokan, Isoje Chou, Sean O’Toole, Pradid Krishen, E.C. Osundu, Salim Washington, Sefi Atta, Ed Pavlic, Neo Muyanga, Henri-Michel Yere, Medu Arts Ensemble, Aryan Kaganof, Khulile Nxumalo and Walter Mosley amongst others. Cover by Johnny “Mbizo” Dyani.
How to Measure: Lessons from Amos Tutuola by Erin Honeycutt (CUTT PRESS at Hopscotch reading room, 2023)
Amos Tutuola (1920, Abeokuta – 1997, Ibadan) is a Nigerian writer. His novels are based on Yoruba mythology. When Erin Honeycutt first came across Tutuola first novel The Palm-Wine Drinkard, she was convinced that the nature of his lists were not flippant. Perhaps it was more her relationship to numerical facts within a narrative that made her feel convinced that there was a mapping taking place within the story. But the mapping does not simply chart a landscape geographically, it also oscillates between the quantifiable and the completely unquantifiable. It is a map of the possible ways to measure a novel. Tutuola has markers for time, lengths of time, distances traveled, lists of measurements from beginning to end: the more specific, the more incalculable. Honeycutt took notes as she read the map.
A5, 14 pages, Risograph printing, Staple bound, Softcover.