Chimurenga 15 – The Curriculum Is Everything (June 2010)

What could the curriculum be – if it was designed by the people who dropped out of school so that they could breathe? The latest issue of Chimurenga provides alternatives to prevailing educational pedagogy. Through fiction, essays, interviews, poetry, photography and art, contributors examine and redefine rigid notions of essential knowledge.

Presented in the form of a textbook, Chimurenga 15 simultaneously mimics the structure while gutting it. All entries are regrouped under subjects such as body parts, language, grace, worship and news (from the other side), numbers, parents, police and many more. Through a classification system that is both linear and thematic, the textbook offers multiple entry points into a curriculum that focuses on the un-teachable and values un-learning as much as it’s opposite.

Inside: Amiri Baraka waxes poetic on the theoretics of Be-Bop; Coco Fusco flips the CIA’s teaching manual for female torturers; Karen Press and Steve Coleman instruct in folk-dancing; Dambudzo Marechera proposes a “guide to the earth”; Dominique Malaquais designs the museum we won’t build; through self-portraits Phillip Tabane and Johnny Dyani offer method to the Skanga (black music family); and Winston Mankunku refuses to teach.

Other contributors include Binyavanga Wainaina, Akin Adesokan, Isoje Chou, Sean O’Toole, Pradid Krishen, E.C. Osundu, Salim Washington, Sefi Atta, Ed Pavlic, Neo Muyanga, Henri-Michel Yere, Medu Arts Ensemble, Aryan Kaganof, Khulile Nxumalo and Walter Mosley amongst others. Cover by Johnny “Mbizo” Dyani.


Echoes of the Brother Countries (Archive Books, 2024)

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The Echoes of the Brother Countries Reader embarks on a rigorous reappraisal of the historical exchanges between the German Democratic Republic (GDR) and its so-called Bruderländer (brother countries). Published on the occasion of the eponymous research and exhibition project at Haus der Kulturen der Welt (HKW), this reader considers the echo as a fulcrum to examine the resonant aesthetic, social, and political implications of an era from the perspectives of those who were deeply affected by the GDR’s state and labour policies, yet gravely overlooked in its histories. Scrutinizing mainstreamed discourses about ‘unification’, ‘contract workers’, and ‘East Germany’, the contributions offer a critical assessment of the GDR’s interactions with other socialist countries, as well as the implications for the people who lived there.

Conversations and essays from witnesses, scholars, and artists make a case for a more discerning perspective on the connections of solidarity that linked the GDR to countries such as Angola, Cuba, Ghana, Mozambique, and Vietnam, among others. The GDR is conceived as an interface where ideologies, visions, and illusions converged, and through which states and individuals forged connections, however performative, against the backdrop of transformative historical currents.

With contributions by: Santiago Calderón, Emiliano Chaimite, Laura Coll, Lama El Khatib, Lucia Engombe, Francisca García, Paz Guevara, Kadriye Karcı, Samirah Kenawi, David Lufuankenda, Dejan Marković, Doreen Mende, Luamba Muinga, Bonaventure Soh Bejeng Ndikung, Peggy Piesche, Nelly Y. Pinkrah, Rasha Salti, Alina Simmelbauer, Eva Stein, Eric Otieno Sumba, Sarnt Utamachote, Aliza Yanes, Kais al-Zubaidi

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Size: 26cm x 16cm

Pages: 224pp

Printing: black and white

Language: English

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Echoes of the Brother Countries (Archive Books, 2024)

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