What could the curriculum be – if it was designed by the people who dropped out of school so that they could breathe? The latest issue of Chimurenga provides alternatives to prevailing educational pedagogy. Through fiction, essays, interviews, poetry, photography and art, contributors examine and redefine rigid notions of essential knowledge.
Presented in the form of a textbook, Chimurenga 15 simultaneously mimics the structure while gutting it. All entries are regrouped under subjects such as body parts, language, grace, worship and news (from the other side), numbers, parents, police and many more. Through a classification system that is both linear and thematic, the textbook offers multiple entry points into a curriculum that focuses on the un-teachable and values un-learning as much as it’s opposite.
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Inside: Amiri Baraka waxes poetic on the theoretics of Be-Bop; Coco Fusco flips the CIA’s teaching manual for female torturers; Karen Press and Steve Coleman instruct in folk-dancing; Dambudzo Marechera proposes a “guide to the earth”; Dominique Malaquais designs the museum we won’t build; through self-portraits Phillip Tabane and Johnny Dyani offer method to the Skanga (black music family); and Winston Mankunku refuses to teach.
Other contributors include Binyavanga Wainaina, Akin Adesokan, Isoje Chou, Sean O’Toole, Pradid Krishen, E.C. Osundu, Salim Washington, Sefi Atta, Ed Pavlic, Neo Muyanga, Henri-Michel Yere, Medu Arts Ensemble, Aryan Kaganof, Khulile Nxumalo and Walter Mosley amongst others. Cover by Johnny “Mbizo” Dyani.
Botsotso 20: The Dramas of Life (Botsotso, 2019)
Botsotso 20: Drama. The Dramas of Life is an anthology of eight South African plays drawn from the last decade (2008 -18) and engages with personal dilemmas and social realities.
The themes reflect the general unravelling of the 1994 political settlement as racism, poverty and inequality, patriarchy, violence against women and LGBT people, the failure to provide quality education and high levels of corruption, expose widening fault lines. They display great energy and dramatic virtuosity in their exploration of these and other themes and create vivid characters who transcend the rhetorical.
The plays included are “Isithunzi” by Sipho Zakwe; “Sleeping Dogs” by Simphiwe Vikilahle; “The Good Candidate” by Hans Pienaar; “Shoes and Coups” by Palesa Mazamisa; “Book Marks” by Allan Kolski Horwitz; “The Couch” by Sjaka Septembir; “Iziyalo Zikamama” by the Botsotso Ensemble and “Finding Me” by Moeketsi Kgotle.