Composed, arranged and performed by Neo Muyanga, this audio cd supplement was part of the Chimurenga Chronicle (October 2011) , a speculative newspaper which is issue 16 of Chimurenga.

Tracklist:
a) 1+1= (a re-composition of a 5000-year-old offering to Lord Ganesha, the Hindu deity, an opener of sorts)
b) 4:7 (heaven’s on the ocean is a proportional refrain on reaching nirvana, the 7th grade, via the mundane material world)
c) 3sin= rθ (sino projection technology theme)
d) 3(x)n (illegal border crossing and migration theme. composed for dancers)
e) e=mcx \rightarrow \infty (a true story about an explosive riot day with SADF soldiers who attacked Soweto on June 16th, 1985. Composed for those who got hurt)
f) ƒ:X→Y (horizon heart aflame. Composed for a lover)
g) (a summing of random themes theme)
h) 4x+2 (the 2 or 4 step theme)
i) y~ 6/8 (a travelling theme in 6 parts over eight. Composed for puppets)
j) y\ge \!\, 6/8 (a running theme in 6 parts over 8 )
k) 1/4° (a kota bread theme. Composed for skolies and thieves)
l) (a perpetual circle. Composed for an apartheid-era multi-racial soccer club)
Worldmaking within Politics of Sight and Space by Sarah Abdu Bushra (Arak Collection, 2025)
Worldmaking within Politics of Sight and Space by Sarah Abdu Bushra (Arak Collection, 2025)
Worldmaking within Politics of Sight and Space was curated by Sarah Abdu Bushra in 2020. Sarah was the inaugural fellow for the ARAK Collection Curatorial Residency fellowship. She is an Ethiopian curator of visual and performing arts exhibitions. Anchored through the contested definition and experiences of locality – as it informs the spatial as well as material narratives of artworks present within the ARAK collection, this exhibition attempts to trace the life of selected artworks from their spaces of creation and showcase the less documented modes of practices that birthed them. Through the work of outlining the arts ecosystem of three East African countries (Kenya, Ethiopia, Uganda) and their diaspora, the exhibition focuses on what is particular about this triangular nexus, as it relates to the way artists produce work, the way they build/inhabit a studio, to how they form their networks.
