Composed, arranged and performed by Neo Muyanga, this audio cd supplement was part of the Chimurenga Chronicle (October 2011) , a speculative newspaper which is issue 16 of Chimurenga.
Tracklist:
a) 1+1= (a re-composition of a 5000-year-old offering to Lord Ganesha, the Hindu deity, an opener of sorts)
b) 4:7 (heaven’s on the ocean is a proportional refrain on reaching nirvana, the 7th grade, via the mundane material world)
c) 3sin= rθ (sino projection technology theme)
d) 3(x)n (illegal border crossing and migration theme. composed for dancers)
e) e=mcx \rightarrow \infty (a true story about an explosive riot day with SADF soldiers who attacked Soweto on June 16th, 1985. Composed for those who got hurt)
f) ƒ:X→Y (horizon heart aflame. Composed for a lover)
g) (a summing of random themes theme)
h) 4x+2 (the 2 or 4 step theme)
i) y~ 6/8 (a travelling theme in 6 parts over eight. Composed for puppets)
j) y\ge \!\, 6/8 (a running theme in 6 parts over 8 )
k) 1/4° (a kota bread theme. Composed for skolies and thieves)
l) (a perpetual circle. Composed for an apartheid-era multi-racial soccer club)
We're f*****g here! An African Queer Collection Edited by Tiffany Mugo, Siphumeze Khundayi, Katharina Fink and Nadine Siegert (Iwalewa Books, 2021)
We are f*****g here! An African Queer Collection on Safer Sex, Sexuality and Gender is a portable rainbow. It’s an object and a portal, a spark of joy, beauty and sexiness when you need it. We are f*****g here! brings together issues of sexuality, pleasure and safety. Various contributors share their knowledge and experiences and affirm: We are. We are f*****g. And we are here.
This book of essays, photography, musings and understandings brings together African queer experiences in one deliciously diverse volume.
Just let your fingers bring the book to life.
Edited in a collaboration between HOLAAfrica (Tiffany Mugo, Siphumeze Khundayi) and iwalewabooks (Katharina Fink, Nadine Siegert). This book is published in cooperation with MaThoko’s, an imprint of the GALA Queer Archive, and funded by the Sigrid Rausig Trust.