Composed, arranged and performed by Neo Muyanga, this audio cd supplement was part of the Chimurenga Chronicle (October 2011) , a speculative newspaper which is issue 16 of Chimurenga.
Tracklist:
a) 1+1= (a re-composition of a 5000-year-old offering to Lord Ganesha, the Hindu deity, an opener of sorts)
b) 4:7 (heaven’s on the ocean is a proportional refrain on reaching nirvana, the 7th grade, via the mundane material world)
c) 3sin= rθ (sino projection technology theme)
d) 3(x)n (illegal border crossing and migration theme. composed for dancers)
e) e=mcx \rightarrow \infty (a true story about an explosive riot day with SADF soldiers who attacked Soweto on June 16th, 1985. Composed for those who got hurt)
f) ƒ:X→Y (horizon heart aflame. Composed for a lover)
g) (a summing of random themes theme)
h) 4x+2 (the 2 or 4 step theme)
i) y~ 6/8 (a travelling theme in 6 parts over eight. Composed for puppets)
j) y\ge \!\, 6/8 (a running theme in 6 parts over 8 )
k) 1/4° (a kota bread theme. Composed for skolies and thieves)
l) (a perpetual circle. Composed for an apartheid-era multi-racial soccer club)
In this debut collection of 48 poems, Sizakele Nkosi reflects on her childhood and daily life and relationships in Soweto, the heartbeat of Black Jozi. Her parents, her own children and extended family provide a rich context for characters like gog’ sis Phakama who, while flaunting her renewed, middle-aged sexuality, is the chief mourner at family burials, and her BEE mzala (cousin) who evokes reactions of envy and disapproval because of her nouveau riche lifestyle.
Ever-present is the energy of the erotic life which charges the poet with the will to continue despite the restrictive hold of a strict Catholic upbringing, as well as a sense of profound disappointment with the rising social crises that afflict our society. Lastly, one should mention that Nkosi’s free-flowing style and careful use of Zulu phrases root the work in kasi life and make it a remarkable record of our times.