Composed, arranged and performed by Neo Muyanga, this audio cd supplement was part of the Chimurenga Chronicle (October 2011) , a speculative newspaper which is issue 16 of Chimurenga.
Tracklist:
a) 1+1= (a re-composition of a 5000-year-old offering to Lord Ganesha, the Hindu deity, an opener of sorts)
b) 4:7 (heaven’s on the ocean is a proportional refrain on reaching nirvana, the 7th grade, via the mundane material world)
c) 3sin= rθ (sino projection technology theme)
d) 3(x)n (illegal border crossing and migration theme. composed for dancers)
e) e=mcx \rightarrow \infty (a true story about an explosive riot day with SADF soldiers who attacked Soweto on June 16th, 1985. Composed for those who got hurt)
f) ƒ:X→Y (horizon heart aflame. Composed for a lover)
g) (a summing of random themes theme)
h) 4x+2 (the 2 or 4 step theme)
i) y~ 6/8 (a travelling theme in 6 parts over eight. Composed for puppets)
j) y\ge \!\, 6/8 (a running theme in 6 parts over 8 )
k) 1/4° (a kota bread theme. Composed for skolies and thieves)
l) (a perpetual circle. Composed for an apartheid-era multi-racial soccer club)
Rudolf Seibeb: Portraits of the Common by Ashraf Jamal (Arak Collection, 2025)
The ARAK Collection, in partnership with Hamad Bin Khalifa University Press, announces the release of Rudolf Seibeb: Portraits of the Common, a study of Namibian artist Rudolf Seibeb and the communal, material, and historical forces that inform his work.
Born in Okahandja in 1964, Seibeb has developed a practice rooted in everyday encounters, social memory, and an inventive use of found materials. His portraits and assemblages reflect the tensions, humour, and shared humanity of the world around him.
This publication presents new writing, interviews, and full-colour documentation that together illuminate the depth and trajectory of his practice.
In his foreword, Abdul Rahman Saleh AlKhelaifi, Founding Director of the ARAK Collection, reflects on the quiet precision of Seibeb’s vision:
"His art documents the often-overlooked moments in dailu experience, connectiong viewers acrss distance and background."
Seibeb shares, “What inspires me is human relationships my daily encounters with people. For me, every person is the same… The faces I paint are treated equally, no matter the background.”
Writer Ashraf Jamal describes the complexity and candour of the artist’s universe:“To enter Seibeb’s world is to meet both clarity and ambiguity. He neither instructs nor persuades; he simply presents what he sees.”
Seibeb’s work weaves individual experience with public life. Curator Jamil Osmar Parasol highlights his ability to translate political and social pressures into symbolic imagery.Namibian curator Frieda Lühl underscores his relationship to the natural world, noting the recurring animal symbols that reflect his ethos of balance and coexistence.
The publication brings together multiple voices writers, curators, and the artist himself to map Seibeb’s journey from his formative years at the John Muafangejo Art Centre to his expanded role in Namibian contemporary art. Newly photographed works and studio reflections provide readers with direct insight into his methods and materials.