DIPALO a mixtape for those who practice counting

Composed, arranged and performed by Neo Muyanga, this audio cd supplement was part of the Chimurenga Chronicle (October 2011) , a speculative newspaper which is issue 16 of Chimurenga.


Tracklist:

a) 1+1= (a re-composition of a 5000-year-old offering to Lord Ganesha, the Hindu deity, an opener of sorts)

b) 4:7 (heaven’s on the ocean is a proportional refrain on reaching nirvana, the 7th grade, via the mundane material world)

c) 3sin= rθ (sino projection technology theme)

d) 3(x)n (illegal border crossing and migration theme. composed for dancers)

e) e=mcx \rightarrow \infty (a true story about an explosive riot day with SADF soldiers who attacked Soweto on June 16th, 1985. Composed for those who got hurt)

f) ƒ:X→Y (horizon heart aflame. Composed for a lover)

g) (a summing of random themes theme)

h) 4x+2 (the 2 or 4 step theme)

i) y~ 6/8 (a travelling theme in 6 parts over eight. Composed for puppets)

j) y\ge \!\, 6/8 (a running theme in 6 parts over 8 )

k) 1/4° (a kota bread theme. Composed for skolies and thieves)

l) (a perpetual circle. Composed for an apartheid-era multi-racial soccer club)




Jah Hills by Unathi Slasha (Black Ghost Books, 2017)

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Jah Hills by Unathi Slasha (Black Ghost Books, 2017)
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Weight: 0.15 kg

Jah Hills is alone in the Kwafindoda bush, waiting for the elders to come, burn ibhuma and deliver him home when he is tricked, captured and turned into isithunzela. A creature trapped in a wardrobe by day and only freed at night, to move between the realm of the living and the dead. One night, he narrowly escapes and finds his way back. But home is no longer home.

Set between Kwafindoda, where the nature is alive and ghosts exist even before someone is dead, and South Africa's gritty urban townships, Jah Hills explores the conflict between life and death, folklore and philosophy, the extraordinary and everyday so as to write the Unlanguaged World of today.

A breathless journey, at once fevered, visionary and breathtakingly alive, it invites the reader to find wilderness and brutality in the banal, the beautiful in the bizarre and to seek answers, not in the sum, but in the derangement of its many seething parts.

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