Composed, arranged and performed by Neo Muyanga, this audio cd supplement was part of the Chimurenga Chronicle (October 2011) , a speculative newspaper which is issue 16 of Chimurenga.
Tracklist:
a) 1+1= (a re-composition of a 5000-year-old offering to Lord Ganesha, the Hindu deity, an opener of sorts)
b) 4:7 (heaven’s on the ocean is a proportional refrain on reaching nirvana, the 7th grade, via the mundane material world)
c) 3sin= rθ (sino projection technology theme)
d) 3(x)n (illegal border crossing and migration theme. composed for dancers)
e) e=mcx \rightarrow \infty (a true story about an explosive riot day with SADF soldiers who attacked Soweto on June 16th, 1985. Composed for those who got hurt)
f) ƒ:X→Y (horizon heart aflame. Composed for a lover)
g) (a summing of random themes theme)
h) 4x+2 (the 2 or 4 step theme)
i) y~ 6/8 (a travelling theme in 6 parts over eight. Composed for puppets)
j) y\ge \!\, 6/8 (a running theme in 6 parts over 8 )
k) 1/4° (a kota bread theme. Composed for skolies and thieves)
l) (a perpetual circle. Composed for an apartheid-era multi-racial soccer club)
Ghosts, spectres, revenants. Hauntology as a means to think and feel future (Iwalewa Books, 2020)
Hauntology as a successful academic concept holds a pun on the idea of ‘ontology’. It denotes a temporal nonlinearity, the persistence and lingering of failed, of omitted, often utopian, ideas that also formed radical visions of futures and opens a field to discuss presence and absence, visibility and invisibility. The present we live is embedded in the presence of ghosts and specters, and the traces of imaginations of different times and spaces may become visible and doable.
The scholars and artists contributing to this volume discuss these conceptual outlines in a series of transdisciplinary contributions. Art in its various forms is the integral part of these hauntological engagements.
Edited by Katharina Fink, Marie-Anne Kohl, Nadine Siegert