Composed, arranged and performed by Neo Muyanga, this audio cd supplement was part of the Chimurenga Chronicle (October 2011) , a speculative newspaper which is issue 16 of Chimurenga.
Tracklist:
a) 1+1= (a re-composition of a 5000-year-old offering to Lord Ganesha, the Hindu deity, an opener of sorts)
b) 4:7 (heaven’s on the ocean is a proportional refrain on reaching nirvana, the 7th grade, via the mundane material world)
c) 3sin= rθ (sino projection technology theme)
d) 3(x)n (illegal border crossing and migration theme. composed for dancers)
e) e=mcx \rightarrow \infty (a true story about an explosive riot day with SADF soldiers who attacked Soweto on June 16th, 1985. Composed for those who got hurt)
f) ƒ:X→Y (horizon heart aflame. Composed for a lover)
g) (a summing of random themes theme)
h) 4x+2 (the 2 or 4 step theme)
i) y~ 6/8 (a travelling theme in 6 parts over eight. Composed for puppets)
j) y\ge \!\, 6/8 (a running theme in 6 parts over 8 )
k) 1/4° (a kota bread theme. Composed for skolies and thieves)
l) (a perpetual circle. Composed for an apartheid-era multi-racial soccer club)
Dust Tracing by Tammy Langtry (Arak Collection, 2025)
Dust Tracings is an publication by 2024 ARAK Curatorial Fellow Tammy Langtry which follows the encounters and paths of ten artists selected from the ARAK Collection, with exploratory texts on five of the artists.
This title, Dust Tracings, refers to the often seismic and settled forms of history, which are shaken with each action and step, as a measure of presence and its responses: to walk, water, frequent, traverse and interfere.
In this study of a selection of artists’ work, we zoom into what Langtry suggests as a symptomatic weather condition, dust—an environmental condition which is ever present, from historical periods of severe ecological degradation to our ancestors kicking up dust, and the transitions taking us all back into dust.
Dust Tracings straddles geographies, timelines and references, bringing together the social history of five states: Angola, Namibia, Botswana, South Africa and Zimbabwe. The related artworks, selected from the ARAK Collection, play the role of archiving, presenting and scribing notions of ‘dust’.
This is done through the art of Thebe Phetogo, Helena Uambembe, Isheanesu Dondo, Durant Sihali, Tuli Mekondjo, Samson Mnisi, Senzeni Marasela, Amos Langdown, Nelo Teixera and Rudolf Seibeb.