Composed, arranged and performed by Neo Muyanga, this audio cd supplement was part of the Chimurenga Chronicle (October 2011) , a speculative newspaper which is issue 16 of Chimurenga.

Tracklist:
a) 1+1= (a re-composition of a 5000-year-old offering to Lord Ganesha, the Hindu deity, an opener of sorts)
b) 4:7 (heaven’s on the ocean is a proportional refrain on reaching nirvana, the 7th grade, via the mundane material world)
c) 3sin= rθ (sino projection technology theme)
d) 3(x)n (illegal border crossing and migration theme. composed for dancers)
e) e=mcx \rightarrow \infty (a true story about an explosive riot day with SADF soldiers who attacked Soweto on June 16th, 1985. Composed for those who got hurt)
f) ƒ:X→Y (horizon heart aflame. Composed for a lover)
g) (a summing of random themes theme)
h) 4x+2 (the 2 or 4 step theme)
i) y~ 6/8 (a travelling theme in 6 parts over eight. Composed for puppets)
j) y\ge \!\, 6/8 (a running theme in 6 parts over 8 )
k) 1/4° (a kota bread theme. Composed for skolies and thieves)
l) (a perpetual circle. Composed for an apartheid-era multi-racial soccer club)
DeAesthetic. Writing with and from the Black Sonic by Tumi Mogorosi (Iwalewa Books, 2024)
DeAesthetic. Writing with and from the Black Sonic by Tumi Mogorosi (Iwalewa Books, 2024)
DeAesthetic. Writing with and from the Black Sonic presents essays by Johannesburg-based artist, jazz percussionist and thinker Tumi Mogorosi. The essays focus on the Black Sonic as a dislocated episteme, which identifies the aesthetic as a limitation. In their de-centring, the texts fundamentally open a way to write and read beyond hegemonic knowledge validations. As a reading that straddles between Brenda Fassie, Louis Armstrong, Louis Moholo-Moholo and Sade, they are in visual conversation with symbols created by Emeka Alams of Gold Coast Trading Company.
