Composed, arranged and performed by Neo Muyanga, this audio cd supplement was part of the Chimurenga Chronicle (October 2011) , a speculative newspaper which is issue 16 of Chimurenga.
Tracklist:
a) 1+1= (a re-composition of a 5000-year-old offering to Lord Ganesha, the Hindu deity, an opener of sorts)
b) 4:7 (heaven’s on the ocean is a proportional refrain on reaching nirvana, the 7th grade, via the mundane material world)
c) 3sin= rθ (sino projection technology theme)
d) 3(x)n (illegal border crossing and migration theme. composed for dancers)
e) e=mcx \rightarrow \infty (a true story about an explosive riot day with SADF soldiers who attacked Soweto on June 16th, 1985. Composed for those who got hurt)
f) ƒ:X→Y (horizon heart aflame. Composed for a lover)
g) (a summing of random themes theme)
h) 4x+2 (the 2 or 4 step theme)
i) y~ 6/8 (a travelling theme in 6 parts over eight. Composed for puppets)
j) y\ge \!\, 6/8 (a running theme in 6 parts over 8 )
k) 1/4° (a kota bread theme. Composed for skolies and thieves)
l) (a perpetual circle. Composed for an apartheid-era multi-racial soccer club)
Cityscapes 7: Futurity (Africa Centre for Cities, December 2015)
The seventh edition of Cityscapes is framed around the rubric of “futurity”.
What will tomorrow be like?
It will be more urbanised. It will also, agree various contributors, bear the imprimatur of China. “Whatever the case, China has, for now, become a far more prominent actor than others in the future-making of Africa,” asserts philosopher Achille Mbembe in an anchoring essay, “to the point where Africa is now not only a planetary question … but also and more specifically a Chinese question.” Contributors Philip Harrison, Yan Yang, Tanya Pampalone and Mary Anne Fitzgerald expand and complicate this assertion.
