DIPALO a mixtape for those who practice counting

Composed, arranged and performed by Neo Muyanga, this audio cd supplement was part of the Chimurenga Chronicle (October 2011) , a speculative newspaper which is issue 16 of Chimurenga.


Tracklist:

a) 1+1= (a re-composition of a 5000-year-old offering to Lord Ganesha, the Hindu deity, an opener of sorts)

b) 4:7 (heaven’s on the ocean is a proportional refrain on reaching nirvana, the 7th grade, via the mundane material world)

c) 3sin= rθ (sino projection technology theme)

d) 3(x)n (illegal border crossing and migration theme. composed for dancers)

e) e=mcx \rightarrow \infty (a true story about an explosive riot day with SADF soldiers who attacked Soweto on June 16th, 1985. Composed for those who got hurt)

f) ƒ:X→Y (horizon heart aflame. Composed for a lover)

g) (a summing of random themes theme)

h) 4x+2 (the 2 or 4 step theme)

i) y~ 6/8 (a travelling theme in 6 parts over eight. Composed for puppets)

j) y\ge \!\, 6/8 (a running theme in 6 parts over 8 )

k) 1/4° (a kota bread theme. Composed for skolies and thieves)

l) (a perpetual circle. Composed for an apartheid-era multi-racial soccer club)




Chimurenganyana: Becoming Kwame Ture by Amandla Thomas-Johnson (2020)

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Chimurenganyana: Becoming Kwame Ture by Amandla Thomas-Johnson (2020)
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Weight: 0.05 kg

Stokely Carmichael (Kwame Ture) was viewed by many during the civil rights struggles of the 1960s as the dashing and eloquent heir to Malcolm X. His call for Black Power and his fiery speeches led to his ascension as the foremost symbol of black militancy. But the threat posed to white America by the triumvirate of Martin Luther King Jr., Stokely Carmichael and Malcolm X would be suppressed as the decade declined to a close. Indeed, X and King would meet death at the escort of gunmen, in ‘65 and ‘68, respectively, and in ‘69, Carmichael would board a plane bound for Guinea, never to return on a permanent basis.

But Kwame Ture lived on for another 30 years and he was as politically active as he had been in the ‘60s. At the time of his death, Ture had become perhaps the foremost Pan-Africanist of his day.

Why do we know so little about the last 30 years of his life?

Featuring photographs from the Kwame Ture estate and Amandla Thomas-Johnson

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Size: 135mm x 205mm
Pages: 60pp (plus cover)
Printing: black and white
Language: English
ISBN: 978-1-990990-18-2

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