Composed, arranged and performed by Neo Muyanga, this audio cd supplement was part of the Chimurenga Chronicle (October 2011) , a speculative newspaper which is issue 16 of Chimurenga.
Tracklist:
a) 1+1= (a re-composition of a 5000-year-old offering to Lord Ganesha, the Hindu deity, an opener of sorts)
b) 4:7 (heaven’s on the ocean is a proportional refrain on reaching nirvana, the 7th grade, via the mundane material world)
c) 3sin= rθ (sino projection technology theme)
d) 3(x)n (illegal border crossing and migration theme. composed for dancers)
e) e=mcx \rightarrow \infty (a true story about an explosive riot day with SADF soldiers who attacked Soweto on June 16th, 1985. Composed for those who got hurt)
f) ƒ:X→Y (horizon heart aflame. Composed for a lover)
g) (a summing of random themes theme)
h) 4x+2 (the 2 or 4 step theme)
i) y~ 6/8 (a travelling theme in 6 parts over eight. Composed for puppets)
j) y\ge \!\, 6/8 (a running theme in 6 parts over 8 )
k) 1/4° (a kota bread theme. Composed for skolies and thieves)
l) (a perpetual circle. Composed for an apartheid-era multi-racial soccer club)
Chimurenga Chronic: Muzmin (May 2015)
The Sahara in Not a Boundary – a special Arabic edition of the Chronic.
In the minds of many, the Sahara exists as a boundary between the Maghreb and “Black Africa”. History and our lived experience tell a different story. This issue of the Chronic, bears testimony to this.
Designed in collaboration with Studio Safar in Beirut, and published in its entirety in Arabic as Muzmin, this special edition of the Chronic argues that the Sahara has never been a boundary, real or imagined. Trade caravans, intellectuals, literatures, human resources and political ideas have long circulated from Timbuktu to Marrakesh, from Khartoum to Tunis and Cairo and beyond.
Contributors in this issue include Helmi Sharawy, Akin Adesokan, Wendell Hassan MarshJamal Mahjoub, Rayanne Tabet, Nisreen Kaj, Rasheed Araeen, Mongo Beti and more.