DIPALO a mixtape for those who practice counting

Composed, arranged and performed by Neo Muyanga, this audio cd supplement was part of the Chimurenga Chronicle (October 2011) , a speculative newspaper which is issue 16 of Chimurenga.


Tracklist:

a) 1+1= (a re-composition of a 5000-year-old offering to Lord Ganesha, the Hindu deity, an opener of sorts)

b) 4:7 (heaven’s on the ocean is a proportional refrain on reaching nirvana, the 7th grade, via the mundane material world)

c) 3sin= rθ (sino projection technology theme)

d) 3(x)n (illegal border crossing and migration theme. composed for dancers)

e) e=mcx \rightarrow \infty (a true story about an explosive riot day with SADF soldiers who attacked Soweto on June 16th, 1985. Composed for those who got hurt)

f) ƒ:X→Y (horizon heart aflame. Composed for a lover)

g) (a summing of random themes theme)

h) 4x+2 (the 2 or 4 step theme)

i) y~ 6/8 (a travelling theme in 6 parts over eight. Composed for puppets)

j) y\ge \!\, 6/8 (a running theme in 6 parts over 8 )

k) 1/4° (a kota bread theme. Composed for skolies and thieves)

l) (a perpetual circle. Composed for an apartheid-era multi-racial soccer club)




Botsotso 14: Poetry, Essays, Photographs, Fiction, Reviews (Botsotso, 2007)

$20.00
Save this product for later
Share this product with your friends

Botsotso 14: Poetry, Essays, Photographs, Fiction, Reviews (Botsotso, 2007)

Product Details

The Botsotso literary journal started in 1996 as a monthly 4 page insert in the New Nation, an independent anti-apartheid South African weekly and reached over 80,000 people at a time - largely politisized black workers and youth - with a selection of poems, short stories and short essays that reflected the deep changes taking place in the country at that time.


Share the Post:

Rhythms of a Road, Voices of an Ethnographer

A composed journey through Maputo by Vanessa Ulia Dantas e

this month at CHIMURENGA FACTORY

Don't miss out this November, stay up-to-date with the latest

Johannesburg

Vocabularies of the Visceral and Expressions of Multiple Practices, Jyoti