“Mandela was not the only head of state taken in by Koagne. Le king kept snapshots of himself with many a man of power, among them Mobutu Sese Seko and Denis Sassou Nguesso […] He took Mobutu for 15 million dollars. Blaise Compaoré of Burkina Faso lost 40 million to him. Sassou, Etienne Eyadéma of Togo, several high officials of Gabon, Tanzania and Kenya, a member of the Spanish government and an ex-operative of the Israeli Mossad were bamboozled as well.” – Dominique Malaquais (Blood Money: A Douala Chronicle).
Bantu Serenade by Ntone Edjabe (featuring Nah-ee-lah) (read excerpt)
Santu Mofokeng: Trajectory of a street photographer (part1) (read excerpt)
Binyavanga Wainaina: Hell In Bed With Mrs Peprah (read excerpt)
Dominique Malaquais: Lindela (the winnie suite) (read excerpt)
Boubacar Boris Diop: Myriem (read excerpt)
Cover:
Neo Muyanga
Wondering Hand(s) and Spirited Ink: Snapshots into the Black Public Humanities (Keleketla! Library, 2024)
Keleketla! Library, in partnership with the Narrative Enquiry for Social Transformation (NEST) presents Wondering Hand(s) and Spirited Ink: Snapshots into the Black Public Humanities.
Inspired by the provocations of the 2019 Narrative Enquiry for Social Transformation (NEST) colloquium Call for Proposals, the papers that form part of this collection directly confront questions of black memory, thought, imagination, and praxis under conditions of extreme racialised and gendered violence.
Each of the essays thinks deeply and seriously about the historical and epistemological foundations of our inherited conceptual frames and the subsequent impact for the ways we invoke these frames in narratives of resistance, hope and freedom. From their different disciplinary and sociopolitical locations, the authors in this collection take seriously sites beyond the academy – the art gallery, stage, music video, the bedroom, the township, and the dance floor, to name a few – as key sites of knowledge production that have and continue to inform emerging narratives around black futures.
The collection traverses thematic spaces such as desire and consent, consumption and freedom, black performative possibility, post-apartheid black subjectivity and black memory. The aim of the collection is to create a pedagogical device that foregrounds the sonic, aesthetic, epistemic and performative strategies of creating emancipatory thinking, feeling, imagining and being, that will contribute to critically expanding the decolonial black archive.
Edited by: Moshibudi Motimele and Rangoato Hlasane with contributions by: Mawethu Nkosana; Moshibudi Motimele; Ayabulela Mhlahlo; Nomancotsho Pakade; Gorata Chengeta; Tumi Mogorosi; Same Mdluli; Rangoato Hlasane and Zukolwenkosi Zikalala.