“Mandela was not the only head of state taken in by Koagne. Le king kept snapshots of himself with many a man of power, among them Mobutu Sese Seko and Denis Sassou Nguesso […] He took Mobutu for 15 million dollars. Blaise Compaoré of Burkina Faso lost 40 million to him. Sassou, Etienne Eyadéma of Togo, several high officials of Gabon, Tanzania and Kenya, a member of the Spanish government and an ex-operative of the Israeli Mossad were bamboozled as well.” – Dominique Malaquais (Blood Money: A Douala Chronicle).
Bantu Serenade by Ntone Edjabe (featuring Nah-ee-lah) (read excerpt)
Santu Mofokeng: Trajectory of a street photographer (part1) (read excerpt)
Binyavanga Wainaina: Hell In Bed With Mrs Peprah (read excerpt)
Dominique Malaquais: Lindela (the winnie suite) (read excerpt)
Boubacar Boris Diop: Myriem (read excerpt)
Cover:
Neo Muyanga
No Free Sleeping by Donald Parenzee, Vonani Bila and Alan Finlay (Botsotso, 1998)
This threesome reflects seemingly quite different sensibilities but running underground are common sources, primarily a genuine sense of observation and empathy.
Parenzee’s fine delineation of detail, his ideological openness but strong sense of justice link well with Vonani Bila’s ‘makoya poetry’ (rendered largely in Xitsonga with English translations).
This poetry that rails in its own manner against money madness and apartheid barbarism stands apart from Finlay’s quieter voice but both command reflection. After all, it is a phrase in a Finlay poem that titles this anthology. Finlay’s work in general contains images of dissolution in a search for meaning from suffering.