“Mandela was not the only head of state taken in by Koagne. Le king kept snapshots of himself with many a man of power, among them Mobutu Sese Seko and Denis Sassou Nguesso […] He took Mobutu for 15 million dollars. Blaise Compaoré of Burkina Faso lost 40 million to him. Sassou, Etienne Eyadéma of Togo, several high officials of Gabon, Tanzania and Kenya, a member of the Spanish government and an ex-operative of the Israeli Mossad were bamboozled as well.” – Dominique Malaquais (Blood Money: A Douala Chronicle).
Bantu Serenade by Ntone Edjabe (featuring Nah-ee-lah) (read excerpt)
Santu Mofokeng: Trajectory of a street photographer (part1) (read excerpt)
Binyavanga Wainaina: Hell In Bed With Mrs Peprah (read excerpt)
Dominique Malaquais: Lindela (the winnie suite) (read excerpt)
Boubacar Boris Diop: Myriem (read excerpt)
Cover:
Neo Muyanga
In this publication, artworks are looked at as an expression and documentation of one’s experiences. The layers that make up an artwork overlap, just as much as the make-up of one’s personality. The conversation put forth focuses on both the subject matter of each artist and the languages and artistic vocabulary used. The publication also provides examples of artworks where iconography that is foreign (to the artist) can be used to express something familiar, such as one’s traditions or history, and vice versa. It provides a new narrative to understand the art of Africa in a world that is constantly exchanging thoughts and ideas.