Chimurenga 3 – Biko in Parliament (November 2002)

“Mandela was not the only head of state taken in by Koagne. Le king kept snapshots of himself with many a man of power, among them Mobutu Sese Seko and Denis Sassou Nguesso […] He took Mobutu for 15 million dollars. Blaise Compaoré of Burkina Faso lost 40 million to him. Sassou, Etienne Eyadéma of Togo, several high officials of Gabon, Tanzania and Kenya, a member of the Spanish government and an ex-operative of the Israeli Mossad were bamboozled as well.” – Dominique Malaquais (Blood Money: A Douala Chronicle).

Bantu Serenade by Ntone Edjabe (featuring Nah-ee-lah) (read excerpt)

Santu Mofokeng: Trajectory of a street photographer (part1) (read excerpt)

Binyavanga Wainaina: Hell In Bed With Mrs Peprah (read excerpt)

Dominique Malaquais: Lindela (the winnie suite) (read excerpt)

Boubacar Boris Diop: Myriem (read excerpt)

Cover:
Neo Muyanga


Khongolose Khommanding Khommis by Jefferson Bobs Tshabalala (Diartskonageng, 2018)

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Khongolose Khommanding Khommis by Jefferson Bobs Tshabalala (Diartskonageng, 2018)

Product Details

A unique collaboration between two black-owned, independent creative arts companies, diartskonageng and Kiri Pink Nob. Having worked together as co-producers of the stage production in 2017, Monageng Motshabi of diartskonageng and Jefferson Tshabalala of Kiri Pink Nob decided to publish the script in book form.

This play delves into the very complex world of the lines which blur for persons who have professional interests both in the spheres of Business and Politics. What does it mean to be a Black Business Man, and what does it mean to be a Black Politician, in the contemporary South African climate? Furthermore, which is a question more suited for this play, what does it mean to be both, simultaneously? Khongolose Khommanding Khommissars examines closely this tumultuous duplicity with an incisive flare for the poetics of doggerel and the trappings of revolutionary rhetoric.

The publication also features the "Daddies of Sugar" monologues from Tshabalala's earlier work.

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