“Mandela was not the only head of state taken in by Koagne. Le king kept snapshots of himself with many a man of power, among them Mobutu Sese Seko and Denis Sassou Nguesso […] He took Mobutu for 15 million dollars. Blaise Compaoré of Burkina Faso lost 40 million to him. Sassou, Etienne Eyadéma of Togo, several high officials of Gabon, Tanzania and Kenya, a member of the Spanish government and an ex-operative of the Israeli Mossad were bamboozled as well.” – Dominique Malaquais (Blood Money: A Douala Chronicle).
Bantu Serenade by Ntone Edjabe (featuring Nah-ee-lah) (read excerpt)
Santu Mofokeng: Trajectory of a street photographer (part1) (read excerpt)
Binyavanga Wainaina: Hell In Bed With Mrs Peprah (read excerpt)
Dominique Malaquais: Lindela (the winnie suite) (read excerpt)
Boubacar Boris Diop: Myriem (read excerpt)
Cover:
Neo Muyanga
Amos Tutuola (1920, Abeokuta – 1997, Ibadan) is a Nigerian writer. His novels are based on Yoruba mythology. When Erin Honeycutt first came across Tutuola first novel The Palm-Wine Drinkard, she was convinced that the nature of his lists were not flippant. Perhaps it was more her relationship to numerical facts within a narrative that made her feel convinced that there was a mapping taking place within the story. But the mapping does not simply chart a landscape geographically, it also oscillates between the quantifiable and the completely unquantifiable. It is a map of the possible ways to measure a novel. Tutuola has markers for time, lengths of time, distances traveled, lists of measurements from beginning to end: the more specific, the more incalculable. Honeycutt took notes as she read the map.
A5, 14 pages, Risograph printing, Staple bound, Softcover.