“Mandela was not the only head of state taken in by Koagne. Le king kept snapshots of himself with many a man of power, among them Mobutu Sese Seko and Denis Sassou Nguesso […] He took Mobutu for 15 million dollars. Blaise Compaoré of Burkina Faso lost 40 million to him. Sassou, Etienne Eyadéma of Togo, several high officials of Gabon, Tanzania and Kenya, a member of the Spanish government and an ex-operative of the Israeli Mossad were bamboozled as well.” – Dominique Malaquais (Blood Money: A Douala Chronicle).
Bantu Serenade by Ntone Edjabe (featuring Nah-ee-lah) (read excerpt)
Santu Mofokeng: Trajectory of a street photographer (part1) (read excerpt)
Binyavanga Wainaina: Hell In Bed With Mrs Peprah (read excerpt)
Dominique Malaquais: Lindela (the winnie suite) (read excerpt)
Boubacar Boris Diop: Myriem (read excerpt)
Cover:
Neo Muyanga
Ghosts, spectres, revenants. Hauntology as a means to think and feel future (Iwalewa Books, 2020)
Hauntology as a successful academic concept holds a pun on the idea of ‘ontology’. It denotes a temporal nonlinearity, the persistence and lingering of failed, of omitted, often utopian, ideas that also formed radical visions of futures and opens a field to discuss presence and absence, visibility and invisibility. The present we live is embedded in the presence of ghosts and specters, and the traces of imaginations of different times and spaces may become visible and doable.
The scholars and artists contributing to this volume discuss these conceptual outlines in a series of transdisciplinary contributions. Art in its various forms is the integral part of these hauntological engagements.
Edited by Katharina Fink, Marie-Anne Kohl, Nadine Siegert