“Mandela was not the only head of state taken in by Koagne. Le king kept snapshots of himself with many a man of power, among them Mobutu Sese Seko and Denis Sassou Nguesso […] He took Mobutu for 15 million dollars. Blaise Compaoré of Burkina Faso lost 40 million to him. Sassou, Etienne Eyadéma of Togo, several high officials of Gabon, Tanzania and Kenya, a member of the Spanish government and an ex-operative of the Israeli Mossad were bamboozled as well.” – Dominique Malaquais (Blood Money: A Douala Chronicle).
Bantu Serenade by Ntone Edjabe (featuring Nah-ee-lah) (read excerpt)
Santu Mofokeng: Trajectory of a street photographer (part1) (read excerpt)
Binyavanga Wainaina: Hell In Bed With Mrs Peprah (read excerpt)
Dominique Malaquais: Lindela (the winnie suite) (read excerpt)
Boubacar Boris Diop: Myriem (read excerpt)
Cover:
Neo Muyanga
Sarah Lubala’s debut collection of poetry, A History of Disappearance, centres on the experiences of those living on the margins, particularly girls and women.
The opening poem, “6 Errant Thoughts on Being a Refugee,” for which Lubala was shortlisted for the prestigious Gerald Kraak Award, sets the tone for this important collection.
The 56 poems span themes such as forced migration, gender-violence, xenophobia, race, mental illness, love, and belonging. The notion of disappearance runs like a thread through each of them, not only as an event, but, as Lubala describes it in an interview with OkayAfrica, also “as a structure of experience.” Lubala writes in taut, bare sentences, potent in their lyrical beauty.