“Three generations of white South African men were bound together at that table. Vermuelen was the first generation. He defined Africa, made it safe for Basson to defile. I was the last generation, the last to grow up in segregated neighborhoods. Between us was the silent photograph of Wouter Basson. Like a distant father, Basson was absent at the dining table.” – Henk Rossouw (Hole in the White ‘Hood). Also Mahmood Mamdani on Bantu Education at UCT, Gael Reagon on sisterhood, Binyavanga Wainaina on dis-covering Kenya, Gaston Zossou on African intellectuals and more…
Cover:
Strange Fruit by Lewis Allen
In this seminal novel of conflict and attempted reconciliation, we follow Kitso whose father had expelled him from the family home in Soweto on account of his youthful homosexual encounter with Themba, a local friend, but who returns for the first time since that trauma to attend his father’s funeral. The background to all that happens is the family’s membership in the Jehovah Witnesses church and its very strict and exclusivist interpretation of human relations, particularly its repressive control of sexuality. Kitso brings his young son, Ntokozo, on the trip, but practically abandons the boy to the care of his brother’s wife for the few days that he is home. Overwhelmed by the shock and tension of again inter-acting with family and friends – including a now married, heterosexual Themba – Kitso sets out on a series of hard-core gay sex adventures. In addition, his heavy drinking and general submergence in self-destructive behaviour further alienates him from the family and eventually sees him leave with little to show for his return. No Poison No Paradise is thus a work charting pain, loss, reckless pursuit of pleasure and the anguish of dissolution as Kitso struggles to come to terms with sundered relationships and attempts to find a place of refuge and joy in a world of rejection and ambivalence.