“Three generations of white South African men were bound together at that table. Vermuelen was the first generation. He defined Africa, made it safe for Basson to defile. I was the last generation, the last to grow up in segregated neighborhoods. Between us was the silent photograph of Wouter Basson. Like a distant father, Basson was absent at the dining table.” – Henk Rossouw (Hole in the White ‘Hood). Also Mahmood Mamdani on Bantu Education at UCT, Gael Reagon on sisterhood, Binyavanga Wainaina on dis-covering Kenya, Gaston Zossou on African intellectuals and more…
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Strange Fruit by Lewis Allen
Beyond The Chrysalis was curated by Nneoma Angela Okorie in 2023. Nneoma is a Nigerian curator and researcher. She was the ARAK Collection second 2023 Curatorial Residency Fellowship Recipient. To forge a personal visual language is to interrogate the world unrestrained by the boundaries of what is customary, a crucial signifier, and of real consequence to the rally for the representation of pluralities. Beyond The Chrysalis marks the non-linear paths, the detours, and the overlapping phases of an artist's practice. To enter this space is also to be aware of the three accomplices relevant to this inquiry: the artistic language, the approach to making, and the trails that meander through the recesses of an artist's imagination. The publication presents thirty-two works by three artists; Gor Soudan, Maliza Kiasuwa, and Khalid Abdel Rahman. What is critical is the interrogation of each artist's approach, dwelling on a framework indicative of a changing climate that situate art from the continent within broader frameworks, relevant to our time (post-colonial) rather than isolating it as a static object of study. The artists have developed distinct vocabularies which present a counter-narrative rooted in their lived experiences and identity to assert their agency.